Sarah Thibault received her MFA from the California College of the Arts in 2011. In addition to Wolfe Contemporary, she has exhibited with Steve Turner Contemporary in Los Angeles, and in group shows and art fairs in Miami, Minneapolis, New York, and Paris. She lives and works in San Francisco.Read the rest
Posted on Monday, January 12, 2015 by Laura Braun
Posted on Monday, January 12, 2015 by Rachel Walther
New York-based alumnus Erik den Breejen’s (BFA Painting 1999) paintings from afar read as simple pop art portraiture, but from up close they acquire another dimension entirely.
His portraits of famous musicians and performers -- including Bob Dylan, Neil Young, Richard Pryor, Karen Carpenter, and Atlantic Records founder Ahmet Ertegun, to name just a few -- are composed of meticulously selected texts from the performer’s own body of work that, when laid out on the canvas, fit together to pay tribute to the subject’s impact as an artist.Read the rest
Posted on Tuesday, January 6, 2015 by Laura Braun
Posted on Monday, January 5, 2015 by Laura Braun
After growing up in Oklahoma and earning her bachelor's degree at the University of Central Oklahoma, Dallas moved to Oakland, Calif., to pursue a career in advertising, then her master of fine arts in design at the California College of the Arts, where she developed the concept for Afrikanation Artists while working on her thesis. An encounter at a Kenyan mall with an artist who was not allowed to sell his work outside of a single gallery sparked her to turn the idea into an organization.Read the rest
Posted on Thursday, January 1, 2015 by Glen Helfand
Holland Cotter speaking at CCA's Honorary Doctorate Luncheon
Without oversight, the art world might be ruled by spectacle and sales. We hear a lot about record-setting auction prices, blue-chip artists, and art fair attendance figures. All well and good for the beneficiaries, but these are just parts of a much more nuanced arts ecosystem.
Too easily eclipsed is the fact that most art is made by people who have plenty more on their minds than making money. Which is why a critic with the humanistic temperament of Holland Cotter is so important, and so refreshing to read.
About Holland Cotter
Cotter is a Pulitzer prize–winning writer, a poet, and the recipient of CCA’s 2014 honorary doctorate in fine arts. He writes weekly reviews and more extensive essays for the New York Times, where he’s been a full-time critic since 1998.
Cotter is hardly strident -- he’s more like an endearing watchdog -- and his thoughtful writings encourage readers to consider the value of aesthetic and intellectual adventurousness. He also consistently draws attention to artists and perspectives that might otherwise be overlooked.
It’s an important role, and he carries it out with engaged responsibility and humbleness.Read the rest
Posted on Friday, December 19, 2014 by Laura Braun
Leiber’s contributions to the history of contemporary art included consulting on numerous exhibitions, collections, and publications, as well as organizing the groundbreaking exhibition and book Extra Art: A Survey of Artists’ Ephemera, 1960–1999, which opened in 2001 at the CCA Wattis Institute for Contemporary Art, San Francisco, before traveling to the Institute of Contemporary Arts, London. He was also active as an adjunct professor at the California College of the Arts.Read the rest
Posted on Tuesday, December 16, 2014 by Laura Braun
I first saw Wolowiec's work at a 2013 California College of the Arts Thesis Exhibition in San Francisco. I stopped by with a friend of mine, who pointed the work out. It looked good. I missed her one-person show at Anat Ebgi in Los Angeles in 2014, so I was excited that Ebgi was bringing her work to the NADA Miami Art Fair later that year. If you only looked at reproductions, you might be tempted to lump Wolowiec in with the dozens of other artists now busy producing Process Painting, or what many have now begun to call Zombie Painting. Seeing them in person is a must.Read the rest
Posted on Monday, December 15, 2014 by Em Meine
Metamorphosis: the Transformation of Everyday Objects is a current exhibition of Jewelry / Metal Arts alumni at the Museum of Craft and Design. The exhibition is curated by CCA faculty member David Cole and features the work of 10 California College of the Arts alumni.
What is beautiful? How do artists see the world around us?
These artworks were selected to examine the creative process of makers who choose to use common and even humble objects as their medium. Some of these things were found in thrift stores -- or the trash -- and have an entire history of manufacture and use before they were rediscovered for another purpose.
Their relationship to some previous, unknown owner and the journey of that object into and out of the life of that person, is recorded in the patterns of wear on the surfaces.
Other materials have inherent beauty that is easy to overlook because of the context in which we perceive them. The luster and radiance that would distinguish the rarest pearl is viewed quite differently when it is seen in grains of rice or pencil leads.Read the rest
Posted on Thursday, December 11, 2014 by Laura Braun
The play of light on San Francisco Bay was a major factor in his decision to settle permanently in Berkeley, where he worked as a preschool teacher and art supply cashier to support himself, finally becoming an adjunct professor for California College of the Arts. But all the paintings in the Matrix show are inspired by Iceland. CCA asked Zurier to teach a summer painting class anywhere he wanted in 2011, and remembering a horseback riding trip he once took with his wife, Nina Zurier, a photographer, he chose the far-north country.Read the rest
Posted on Friday, December 5, 2014 by Laura Braun
Artist, educator, and human rights activist Claudia Bernradi, works at the intersection of art and conflict. For 30 years, Claudia has participated in investigations of human rights violations, working with the Argentine Forensic Anthropology Team in Argentina, Buenos Aires. From this experience, she recognized that art could be used to articulate the communal memories of survivors of human rights atrocities. The Disappeared Are Appearing Mural Project was created by relatives of those who disappeared during the military dictatorship in Argentina.Read the rest