Roeper does commissioned pieces for residential use as well as for boutique hotels and other companies within the hospitality industry. A graduate of the California College of the Arts, Roeper learned some of his craft through an apprenticeship with a local first-generation California craftsman who focused on custom entry doors. Since then Roeper has evolved his style to create furniture and art that reflects his German background, and he seeks inspiration from design and art from all over the world, including pieces from San Francisco’s Asian Art Museum.
Posted on Thursday, September 4, 2014 by Laura Braun
Posted on Wednesday, August 27, 2014 by Lindsey Westbrook
Before going to Nicaragua, Poritz had designed furniture only as a hobby, but he was so impressed with the country’s local craftsmen that he decided to start his own furniture company.
The resulting 30-piece wood furniture collection has garnered important recognition from Forbes magazine, who put him on a recent Forbes “30 under 30” list. In 2013 the Red Hen, a highly popular Washington DC restaurant, commissioned Poritz to source and fabricate all of its custom chairs and bar stools, tables, benches, plank flooring, ceiling, and even baby bar stools. Each piece has expressive twists and geometric connections.
All of Poritz’s work emphasizes strength, comfort, sustainability, quality, and design. These principles, he says, were instilled in him at CCA. While a student, he participated in the design of Refract House for the 2009 Solar Decathlon.
He was recently asked to be an artist in residence at the the Josef and Anni Albers Foundation, and designed a sitting stool for their gallery, He currently divides his time between New York and Managua.
Article by Steffie Guan
Posted on Wednesday, January 22, 2014 by Laura Braun
While visiting a friend in Nicaragua, Poritz stumbled on a supply of beautiful old growth wood uprooted by Hurricane Felix. Trained as an architect, he used the wood to create a line of furniture inspired by the minimalism and simplicity of Bauhaus designers like Marcel Breuer. His stools, chairs, tables, beds, sofas have no screws; they are fixed by unique joinery designed by Poritz.
Posted on Thursday, November 21, 2013 by Claire Fitzsimmons
Tim Belonax in Facebook's Analog Research Laboratory [photo: Andria Lo]
Along the walk to the cafeteria, a poster reads: "Eventually everything connects." Another, "People not pixels." In the atrium, "Hack the graph," and in the corridor, "Empathy. Have some!"
This sounds like it could very well be CCA's campus, but it's actually Facebook’s. Each poster is stamped at the bottom with the words: "Poster brought to you by your friends at the Facebook Analog Research Laboratory."
Facebook designer and CCA Graphic Design faculty member Tim Belonax calls the Analog Research Laboratory -- known around Facebook simply as the Analog Lab -- "a playground for a print designer. There are very few places around the Bay Area where a lover of handmade graphic design would encounter such amazing facilities."
Wired magazine has called it "Facebook's secret propaganda arm." The Huffington Post dubs it "a slogan factory where techies get tactile."
Posted on Thursday, November 14, 2013 by Allison Byers
So don't miss this Thursday's "METAMORPHOSIS," when the talented artist/designers from the California College of the Arts transform the Academy (and possibly you) into something unexpected. Explore a multitude of industrial, interaction, illustration, fashion, furniture and graphic designers from CCA as they showcase an amazing, cutting-edge array of work, highlighting new technologies and innovative ideas that explore the concept of metamorphosis.
Posted on Thursday, August 15, 2013 by Jim Norrena
The Center for Craft, Creativity & Design announced in April that Hilary Sanders and Michael Esteban, two recent Jewelry / Metal Arts alumni, both were awarded a 2013 Windgate Fellowship, bringing to five the total number to date of Windgate Fellowships awarded to CCA students since the award's inception.
The fellowship selection process presents a “rare opportunity to survey the best and brightest emerging makers in the field of craft.” It also gives these emerging artists both the validation and financial resources to pursue their dreams.
Posted on Monday, July 8, 2013 by Allison Byers
The cardinal rule of home buying is "location, location, location." But it can also apply to educational institutions.
"Any college or university takes much of its character from its location," says Stephen Beal, president of California College of the Arts. "An increasing part of a student's education isn't just about what's happening in the classroom, but also outside of it."
Posted on Thursday, July 4, 2013 by Jim Norrena
CCA's booth at Maker Faire received two Make magazine editor's choice awards
Ever since the college was founded in 1907, making art has defined what we do at California College of the Arts -- both what we create and how we create it.
Today we have a new challenge to how we create art. The Bay Area has become a vast melting pot of innovation driven by the demands of technology-reliant and design-savvy enthusiasts.
We live in the innovation corridor -- a unique stomping grounds where the doers and makers are integrating time-honored principles of craft into the ever-changing technological landscape.
Posted on Thursday, June 13, 2013 by Allison Byers
While completing her course at the California College of the Arts (her thesis was exploring ''sensuality and sexuality in and around furniture'') and haunting San Francisco flea markets she found two ornate but rather knocked-about Victorian chairs. She set about ''regenerating'' and ''rejuvenating'' them.
Posted on Thursday, June 13, 2013 by Allison Byers
Glen Helfand is with the California College of Arts in San Francisco. He says, "There used to be a network of grants that artists could get to fund projects. I mean way back in the ancient history, galleries might have given artists stipends. Now it's a much tougher game."