While the doomsday clock counts down to midnight, a different measure of society's well-being is on a seemingly endless upswing: the selfie clock. For her senior thesis at the California College of the Arts, designer Suwanna Ruayrinsaowarot built a counting program that visualizes in real-time all the Instagram photos tagged "#selfie."
Posted on Friday, July 24, 2015 by Laura Braun
Posted on Wednesday, July 1, 2015 by Laura Braun
My first job was actually at Incase. I started working here during my senior year in college. They brought me on as a freelancer to design a brochure, and I guess the rest is history. I signed on full-time the second I graduated.
Posted on Friday, June 5, 2015 by Laura Braun
Even if you never knew what they were called, you’ve definitely seen an air dancer. They’re those floppy dudes filled with air that flail about worldwide in front of car dealers and other businesses advertising super sales. Though Jeremy Mende isn’t the first artist to explore this ridiculous, iconic capitalist symbol, he’s probably the first to custom-build one, tether it to a pole, and clock the countdown to its demise. As Mende explains, his air dancer named Lucky is inspired by “the idiot-philosopher from Sam Beckett’s 1953 play Waiting for Godot.
Posted on Monday, May 18, 2015 by Laura Braun
Cities across Canada connected via webcast on May 5 for the latest panel discussion hosted by the Association of Registered Graphic Designers (RGD) exploring “The Future of Human-Centred Design” with panelists from Purpose, UX For Good and California College of the Arts.
Posted on Friday, May 8, 2015 by Laura Braun
Indeed, the classroom drives much of their work and fuels their passion. Both are born educators who strive to make memorable points to the graphic design students at California College of the Arts (CCA). Talking about their own work might lead to a discussion of Gustav Stickley's views of Victorian furniture, the radical prints of Sister Mary Corita Kent or a history of the Russian constructivists.
Posted on Friday, May 1, 2015 by Laura Kenney
During the spring semester, six interdisciplinary student teams competed for three $10,000 grants to develop and actualize a socially innovative project. The IMPACT program encourages students across all disciplines to facilitate social change by applying their creative skills and implement solutions collaboratively with community partners.
The awards program supports the mission of The Center for Art and Public Life with the belief that community engagement is the cornerstone of a practice focused on changing the world.
Posted on Thursday, April 30, 2015 by Jim Norrena
Looking for a platform to drive positive change?
Want to challenge the status quo?
Seeking to think wrong in the process?
Welcome to Project M
Project M is a program designed to inspire and educate young designers, writers, photographers, and filmmakers by proving that their work -- especially their wrongest thinking -- can have a positive and significant impact on the world.
Spearheaded by CCA faculty member John Bielenberg, cofounder of Future Partners, Project M is a program for creative people who are already inspired to contribute to the greater good, and are looking for a platform to collaborate and generate ideas and projects bigger than themselves.
Project M has developed projects related to a conservation area in Costa Rica, microfinancing in Ghana, New Orleans after Katrina, the community of East Baltimore, and connecting households to fresh water in Hale County, Alabama.
Next Up: South Greensboro, Alabama, June 8-21
Posted on Tuesday, April 21, 2015 by Laura Braun
Tenazas attempted to enroll but much to her disdain, was rejected time and again. “They probably thought my work wasn’t too western and not sophisticated enough,” she recalls. She didn’t give up and instead, headed westward and eventually took courses at California College of Arts (CCA) in San Francisco.
Posted on Monday, April 13, 2015 by Laura Braun
Time is running out for the inflatable man. His precious seconds ticking upward in large blinking red numbers on an LED screen. Some passers-by stop to take-in the painfully slow demise - unaware that the writhing, thrashing figure with the frowny face is essentially pummeling himself into oblivion.
Posted on Monday, February 23, 2015 by Laura Braun
“I will sit and sketch and then will quickly try to make a digital draft, print something out, make another model, redline it, and then go back into the computer. It’s a feedback loop between analog and digital,” she said. Gattegno believes it is this fluidity between the two methods that promotes authenticity and originality.