Graphic Design News

Posted on Friday, July 19, 2013 by Lindsey Westbrook

The Ninth Page: Etel Adnan's Journalism 1972-74
CCA, 2013
Paperback, 128 pages, inquire to purchase

This book accompanies the thesis exhibition of the class of 2013 of CCA's Graduate Program in Curatorial Practice. It was edited by faculty member Julian Myers-Szupinska and student Heidi Rabben, and it was designed by Graphic Design faculty member Jon Sueda.

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Posted on Friday, July 19, 2013 by Lindsey Westbrook

New Constellations, New Ecologies
ACSA, 2013
$35

This book was coedited by Director of Architecture Ila Berman and Edward Mitchell and designed by Graphic Design faculty member Brett MacFadden of MacFadden & Thorpe. It ocuments the proceedings of the ACSA’s 101st annual meeting, which took place in spring 2013 at CCA (read more here).

Subtitled "New Constellations, New Ecologies," the hope for the conference was "to reset the agenda for architectural education." As a counterpoint to the 100th anniversary meeting hosted by MIT, the first American school of architecture, ACSA 101 took place at CCA, one of the younger architecture schools. The intention of this shift was to "resituate the issues facing architecture within the Bay Area's complex context: a global urban mega-region known for its technological innovation, ecological attitude, and social diversity, with cultural and economic influences coming from its position at the edge of the continent and its strong ties to the Pacific Rim."

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Posted on Friday, July 19, 2013 by Lindsey Westbrook

Never Built Los Angeles
Metropolis Books, 2013
Hardcover, 376 pages, $55

Graphic Design faculty member Eric Heiman and his firm Volume Inc. designed this book, which explores the "what if" Los Angeles, investigating the values and untapped potential of a city still in search of itself.

In more than 400 color and black-and-white illustrations, this book shows buildings, master plans, parks, follies, and mass-transit proposals that only ever saw the drawing board -- in total more than 100 visionary works that could have transformed both the physical reality and the collective perception of the metropolis, from Olmsted Brothers and Bartholomew's groundbreaking 1930 Plan for the Los Angeles Region, which would have increased the amount of green space in the notoriously park-poor city fivefold; to John Lautner's Alto Capistrano, a series of spaceship-like apartments hovering above a mixed-use development; to Jean Nouvel's 2008 Green Blade, a condominium tower clad entirely in cascading plants.

Heiman says: "Since all of the projects in the book are unrealized, the imagery is solely drawings, models, and digital renderings. We picked up on the vernacular of architectural plans and blueprints -- the line work, the title blocks, etc. -- for the typographic palette as a way to appropriately frame this visual content. The design also offers two ways to parse the book. The chapters are organized around building typologies. Each individual project, though, is color-coded to reflect its specific Los Angeles neighborhood, with the exact locations indicated on site maps that introduce each section.

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Posted on Friday, July 19, 2013 by Lindsey Westbrook

Excerpts from Silver Meadows
Nazraeli Press, 2013
Hardcover, 108 pages, $75

Selected by Time as one of the top photo books of 2013! This is the sixth monograph from Nazraeli Press devoted to the work of CCA alumnus and Photography faculty member Todd Hido, and it is his most ambitious project to date. It is designed by Graphic Design faculty member Bob Aufuldish.

Update as of 2014: Check out the "Silver Meadows B-Sides Box Set," also designed by Bob Aufuldish.

Silver Meadows is the name of a street that runs through the neighborhood in Kent, Ohio, where the artist grew up. The setting of Hido's childhood, it also became the creative wellspring for his work. Here, it serves as a point of departure for his reexamination of a Midwestern suburban upbringing: 'a trip through the innocence of childhood and adolescence and into the darker aspects of life beyond.'

This first edition is printed on matte Japanese art paper and features an "installation" of tipped-in images on the case binding.

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Posted on Friday, July 19, 2013 by Lindsey Westbrook

Black Maps: American Landscape and the Apocalyptic Sublime
Steidl, 2013
Hardcover, 240 pages, $85

Black Maps, designed by Graphic Design faculty member Bob Aufuldish, is the first in-depth survey of the major aerial projects by alumnus David Maisel (MFA 2006), whose images of radically altered terrain have transformed the practice of contemporary landscape photography. In more than 100 photos that span Maisel's career, Black Maps presents a hallucinatory worldview encompassing both stark documentary and tragic metaphor, and exploring the relationship between nature and humanity today.

Maisel's images of environmentally impacted sites consider the aesthetics of open-pit mines, clear-cut forests, rampant urbanization and sprawl, and zones of water reclamation. These surreal and disquieting photos take us towards the margins of the unknown and as the Los Angeles Times has stated, "argue for an expanded definition of beauty, one that bypasses glamour to encompass the damaged, the transmuted, the decomposed.”

See more of the design at Aufuldish’s website.

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Posted on Wednesday, June 12, 2013 by Allison Byers

Went to a memorial service the other day, or rather to a celebration of the life of in this case Michael Cronan, the protean designer and painter and mentor and doer of good works. He died way too young, at 61, and lots of people went down to the California College of the Arts to pay their respects.

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Posted on Wednesday, June 5, 2013 by Allison Byers

For most design school graduates, it’s a dream come true to produce work that is seen by millions. For Zach Gibson (MFA Design 2011) and Jefferson Cheng (Graphic Design 2005), it’s an everyday reality working in the art department at Google.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Imagination Illustrated: The Jim Henson Journal
Chronicle Books, 2012
Hardcover, 192 pages, $29.95

Michael Morris (Graphic Design 2004) designed this adaptation of the diary that Jim Henson faithfully kept throughout his career. The diary is supplemented with a trove of little-seen visual material, including rare sketches, personal and production photographs, storyboards, doodles, and much more. Throughout, archivist Karen Falk delves into the behind-the-scenes details of Henson's life and artistic process.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Power to the People: The Graphic Design of the Radical Press and the Rise of the Counter-Culture, 1964-1974
University of Chicago Press, 2013
Hardcover, 264 pages, $45

Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole, helping to motivate the masses and proliferate ideas.

This book is assembled by the renowned graphic designer and CCA Design faculty member Geoff Kaplan of General Working Group. It presents more than 700 full-color images and excerpts from these publications, many of which have not been seen since they were first published almost 50 years ago.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

When Attitudes Became Form Become Attitudes
CCA Wattis Institute, 2013
Office Binder, 278 pages, $40/$75 (regular/special edition)

The CCA Wattis Institute's fall 2012 show, curated by Jens Hoffmann, was a sequel to the legendary 1969 exhibition When Attitudes Become Form curated by Harald Szeemann for the Kunsthalle Bern, Switzerland. This catalogue, designed by Graphic Design faculty Jon Sueda of Stripe/SF, follows the "office binder" format of the original catalogue, and also features works that are interventions directly into the book. The special edition includes a set of three posters by the Brazilian artist Alexandre da Cunha, and the regular edition has one of the three posters.

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