Posted on Thursday, April 9, 2015 by Laura Braun
Posted on Tuesday, March 17, 2015 by Laura Braun
And, of course, it isn't just the bike itself that needs to evolve—so do cities. "We do need a better or different bike," says Colin Owen, who teaches bike design at California College of the Arts and founded an urban cycling brand called Sparse.
Posted on Tuesday, February 10, 2015 by Jeremy Joan Hewes
Anh (left) and Hoang Nguyen in San Francisco (photo: Luis Ruano)
When Industrial Design alumni Hoang Nguyen and his brother Anh came to CCA in 2004 and 2006, respectively, they started a club with the objective of getting a group of students to work together, helping each other learn and improve their skills.
They named the club for its purpose: Creative Session.
Although the club was slow to develop, that early effort evolved into their joint venture, a lively online presence that showcases an array of design projects, videos, and musings from the two brothers.
Creative Session (CS) has been going for seven-plus years and has brought Anh and Hoang lots of attention, including invitations to teach, to participate in design competitions, and most recently to be jury captains for consumer products at the 2015 Core77 Design Awards.
They also receive frequent job inquiries, Hoang says, “but we make it clear that CS is and has always been a platform for Anh and me to think, create, and share as brothers and, more importantly, as designers without constraints.”
Posted on Wednesday, February 4, 2015 by Laura Braun
This degree lets you learn how to visualize ideas and turn them into real-life products.
During this degree, you will attend a number of essential courses required for an industrial design professional career, such as drawing courses, industrial design concepts, humanities and sciences. The total credits for this course are 51 units.
Posted on Wednesday, January 28, 2015 by Laura Braun
Then there’s Protos Eyewear, a company with a similar mission. It uses an algorithm to tailor eyeglasses to a customer’s unique features and uses images of the customers to help with the customization. Protos founding partner Richart Ruddie tells Digital Trends the venture was created by a group of industrial designers and architects at California College of the Arts in San Francisco.
Posted on Friday, January 16, 2015 by Jim Norrena
In 2011 students Anna Acquistapace (DMBA 2011), Olivia Nava (DMBA 2012), and Eric Persha (DMBA 2012), launched an idea inspired by the MBA in Design Strategy program's Social Ventures course (taught by faculty member Steve Diller).
The idea involves working with members of a solar-distribution company as a partner organization to offer community members in rural Tanzania connectivity services that use renewable solar energy.
(Initially the partner organization had wanted to address better solar-powered lighting solutions in Tanzania, which evolved into the more wide-serving Juabar business model.)
"Our [CCA] education helped us realize that you don’t approach innovation by answering questions, but rather you look to understand end-users’ needs.
"So we didn’t come to that project on 'how can we better sell solar lights?' but more 'how do we understand the electricity experience of Tanzanians with little or no electricity experience?'"
Posted on Friday, December 5, 2014 by Jim Norrena
The Center for Art & Public Life (The Center) and the MBA in Design Strategy program, both at California College of the Arts, last month co-organized TechRaking 7, an annual hackathon series put on by The Center for Investigative Reporting (CIR), which focused on the intersection of journalism and design.
TechRaking 7, the first within the series to work exclusively with college students (and CCA as its official partner), had CIR CEO Joaquín Alvarado reaching out to CCA to pose the question: How can we rethink human interaction around the news within our communities?
CIR enlisted colleagues from two of its local media partners -- Bruce Koon of KQED and Martin Reynolds of the Bay Area News Group (BANG) -- to challenge CCA students with some of their toughest community-engagement issues. For example, how might:
CIR create new ways for people to communicate about the role of guns in their neighborhoods?
BANG offer a more participatory model that empowers residents to share overlooked topics?
KQED develop cross-regional tools to communicate better the personal effects of the growing technology industry?
Far be it for anyone at CCA to turn away a challenge, thought leaders at The Center decided to enlist the help of CCA students -- working in small teams representing a wide range of disciplines -- to collectively come up with innovative solutions that could encourage greater public participation in today's changing news gathering and distribution policies and procedures.
In short, TechRaking 7 challenged students to give the concept of the traditional newsstand a much-needed facelift.
Posted on Tuesday, November 4, 2014 by Laura Braun
San Francisco native and recent California College of the Arts grad Zara Dramov has a new handbag line, The Common Knowledge, inspired by the way bone meets skin, the way paper folds, sci-fi movie costumes, and shiny copper bolts found in city street grates. Miraculously, each rigid, architectural design is made from one single sheet of leather. Once again, Lena Dunham would know best: the Girls star was recently spotted carrying the oxblood Mini Bone Bag.
Posted on Thursday, October 9, 2014 by Laura Braun
In June CCA students from across multiple disciplines participated in CCA+AIR (Audi Innovation Research) Fellowship: Beyond Mobility, an intensive two-week design challenge that brought the Audi Group's leading designers -- and a host of other local designers -- to campus to hear students present about the next phase of creating luxury automobiles.
Architecture faculty members and Future Cities Lab partners Nataly Gattegno and Jason Kelly Johnson and Markus Auerbach from Audi AG’s AIR team spearheaded the event, which called for an interdisciplinary cross-section of program chairs to nominate students, who would then apply for the fellowship.
Auerbach emphasized daily a basic principle to which all Audi designers rely: “Humans have basic needs and rich desires.”
Students worked in teams and were instructed to keep the fundamental design consideration in mind as they envisioned the design of future automobiles for Audi AG, one of the "German Big 3" luxury automakers (along with BMW and Mercedes-Benz, which are the three best-selling luxury automakers in the world).
Posted on Tuesday, September 9, 2014 by Laura Braun
We do teach industrial design very differently than we did ten years ago. Young industrial designers today have to be versatile, collaborative, empathic and forward thinking. We are no longer the midpoint between form and function, or the end-of-the-line "beautifying" process. Many other factors are shaping a product today: the business model, manufacturability, material sourcing and pricing, cultural fit, emotional connection... The complexity is much greater every day, and products cannot be created without industrial designers understanding the greater context.