International News

Posted on Thursday, August 29, 2013 by Minnie Phan

Minnie Phan with work presented at her Junior Review

Prior to hearing about CCA, college was not an option in my mind. Aside from financial issues and living in an immigrant household with little experience with higher education, my teenage years were rocky.

I never thought more than two steps ahead when it came to my future. I struggled throughout my schooling and was consumed with (infamous and debilitating) angst. I spent many nights alone.

The turning point of my life occurred when I began to use my hobby of art as an outlet -- as therapy, even. Having my sketchbooks and journals bear witness to my manic thoughts and wild ideas became something of a ritual. It became a channel for every stupid decision I had made, every jerk who harassed me, every class I failed.

Art and writing became profound parts of my persona, and, thankfully, I found a community and companionship in fellow artists.

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Posted on Monday, August 19, 2013 by Allison Byers

Hong began his film career at Chungang University in Korea, before moving to the States where he received his Bachelor’s degree from the California College of Arts and Crafts and his Master’s from the School of the Art Institute of Chicago. Hong made his official directorial debut at age 35 with “The Day a Pig Fell into a Well” in 1996. That same year he won five awards, including three for best new director.

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Posted on Thursday, August 1, 2013 by Rachel Walther

When you first enter Enlightenment Room (2008), an immersive environment artwork by Jewelry / Metal Arts faculty member Nick Dong, nothing happens. You walk down a short, mirrored corridor in semi-darkness to a gray cushioned seat that faces the entrance.

But the moment you sit down, light begins to fill the space, and thousands of white, oval tiles glisten into view. Ethereal music fills your ears. The light brightens, and the music intensifies. This experience can last a few minutes, or a few hours, depending on how long you remain seated . . . waiting. The moment you stand, the music and lights fade out.

Watch a video of Enlightenment Room

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Posted on Monday, July 29, 2013 by Shiraz Chavan

CCA might be closer to you than you think! Our Admission Office representatives will be in South America, Mexico, Asia, Turkey, and Canada this fall.

Review our travel schedule below, then schedule an appointment to have your portfolio reviewed and receive answers to your questions about CCA's admission requirements.

Email the corresponding CCA Admissions staff person to schedule a one-on-one appointment where you live.

Please note: We highly encourage you to RSVP early as events fill up quickly.

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Posted on Thursday, July 18, 2013 by Matthew Harrison Tedford

This year, the San Francisco metal arts and jewelry gallery Velvet da Vinci celebrates its 23rd anniversary. Its cofounders, CCA alumnus Mike Holmes (Jewelry / Metal Arts 1984) and his business partner Elizabeth Shypertt, originally met in 1984 in a studio class at the de Young Museum. Both had had some success selling their jewelry work independently, and it seemed like a natural idea to start a gallery to capitalize on that momentum.

"We found this wonderful little storefront in Hayes Valley," Holmes remembers. "The smallest one on the sunny side of Hayes Street!" It was a fortuitous moment: just after the 1989 Loma Prieta Earthquake had damaged the Central Freeway there, but before the freeway had actually been torn down and rents started to rise.

(The name "Velvet da Vinci," in case you are wondering, was inspired by an old Perry Mason television episode.)

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Posted on Monday, July 1, 2013 by Susannah Magers

Aviary (2013)

Tim Bishop (MBA in Design Strategy 2010) works for Parallel Development, a Brooklyn-based design and fabrication studio. The five-person company specializes in collaborating with digital designers, artists, and architects to bring their visions to life.

"We develop the electrical and mechanical platforms they require for their works," Bishop explains, "The works take many forms and might have various levels of interactivity. Frequently they are custom 3D LED displays."

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Posted on Friday, May 31, 2013 by Lindsey Westbrook

Liz Ogbu is CCA's "scholar in residence" at the Center for Art and Public Life. She spends about four or five hours a week there; she'd love it to be more, but she's a busy woman.

As often as twice a month she's getting on a plane to attend a design or education conference somewhere around the world -- frequently as an invited speaker. She teaches one course per semester at CCA, which translates to about one day a week. She spends another day every week teaching at Stanford University's famed Institute of Design, better known as "the d.school."

She also runs an independent consultancy that undertakes short- and long-term projects; currently she's working with CCA Architecture faculty member Douglas Burnham on something for PG&E, something else for the Nike Foundation in Nigeria, and a pop-up health clinic project funded by Autodesk.

With another CCA Architecture faculty member, Lisa Findley, she’s writing a chapter on South Africa for a book on different ways of appropriating space globally.

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Posted on Thursday, March 7, 2013 by Christina Linden

In the past year, Orfeo Quagliata (Wood/Furniture 1999) has designed: exterior vinyl graphics for an Aeromexico 767 airplane; sets for Mexico's massively popular annual 24-hour-long television and radio broadcast benefit Teletón; glass tiles for architectural interiors and exteriors; jewelry; window displays for Barneys New York; hotel lobbies; coffee tables; whiskey glasses; and garden features for millionaires' homes.

Quagliata was born and raised in the Bay Area; today his studio is based in Mexico City, and the world is his oyster. It is extremely unusual for a designer to operate in so many media and at so many scales of production, from a tiny piece of jewelry to an airplane exterior, but maintaining a robust and diverse practice keeps his creative energies high . . . and ensures that his design work will be in demand no matter whether the global economy is ebbing or flowing.

His schedule is typically jam-packed; when we spoke for this piece, he was getting ready to catch a plane for a new overseas commission: "I'm going to Taiwan to work on an installation on the grounds of new high-rise residential towers. The work is two reflecting pools with these big, faceted, blinged-out, illuminated glass sculptural forms. These kinds of huge commissions are always fun and overwhelming at the same time."

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Posted on Sunday, January 6, 2013 by Lindsey Westbrook

"Vanya Da Dua" Glimpses of a Lost World: An American Boy in the Liberian Bush
CreateSpace, 2012
Paperback/ebook, 176 pages, $33

Erik d'Azevedo (MFA 1976) authored this window into the intimate daily lives of tribal peoples in the interior of the West African country of Liberia in a time before everything was changed by 20 years of civil wars. It is more than the experiences of American children living in the midst of a foreign culture; it is an in-depth glimpse into the deep interior of a region almost unknown to most people. Many of the indigenous villagers and their children had never before seen a white person. This journey chronicles the stories of a six-year old boy, and his personal relationship with the children he befriends, and his integration into a culture he embraces.

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Posted on Tuesday, December 18, 2012 by Matthew Harrison Tedford

The Walls of Hope project in progress in Monthey, Switzerland

Claudia Bernardi (today a professor in CCA's Community Arts Program, but who also teaches in a wide range of disciplines, including Diversity Studies, Fine Arts, and Visual and Critical Studies programs) was a student at the university of art in Buenos Aires in 1976, the year the military dictatorship took power in Argentina.

"Those were very dark years -- very tragic, painful, and violent. The ones who survived learned to look at life, history, and art quite differently."

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