Clients who can't see the beauty in the whimsy - or the whimsy in the beauty - of a room done in elegant furniture surrounded by quilt-like wall hangings made of stained and painted coffee filters probably aren't the best match for interior designers Andrew Fisher and Jeffry Weisman.
Posted on Monday, March 4, 2013 by Allison Byers
Posted on Friday, January 11, 2013 by Jim Norrena
It's been 100 years since instructor Harry Dixon taught the first jewelry and metal arts course at what was then called California School of Arts and Crafts in 1912. One hundred years later, the Jewelry / Metal Arts Program, housed on the historic Oakland campus of California College of the Arts, is one of the oldest and most recognized in the field.
Posted on Wednesday, October 10, 2012 by Erin Wheeler
On December 15 and 16, four CCA students and one recent alumna will showcase and sell their work at the 4th Annual Renegade Craft Fair Holiday Market in San Francisco.
Inspired by the students who took part in the American Craft Council exhibition and the CCA coursework linking craft to entrepreneurship, CCA’s Career Development Office offered students a free shared booth.
Posted on Thursday, September 13, 2012 by Lindsey Westbrook
The Jewelry and Metalwork of Marie Zimmermann
Yale University Press, 2012
Hardcover, 400 pages, $65
David Cole (Jewelry / Metal Arts faculty) spent 13 years and traveled widely to photograph the work of Marie Zimmermann for this book, which includes approximately 400 of his images. He cleaned, documented, styled, and photographed each piece, from tiny rings to mausoleums. Zimmermann was one of the most creative and important makers of metalwork in early-20th-century America. She worked in gold, silver, bronze, copper, and iron, and explored a wide range of innovative approaches to pattern, material, and surface. She led a very colorful life as well. A true eclectic in her personal life, her professional pursuits, and her creative expression, she has proven an elusive character for historians; this book gathers her full story for the first time. Essays by leading scholars in the decorative arts offer extensive new research.
Posted on Tuesday, July 24, 2012 by Lindsey Westbrook
From Amber Cox's documentation of San Francisco's Financial District
San Francisco and Istanbul: Both built across seven hills, on peninsulas jutting into major bodies of water, where East meets West dramatically and literally-continentally. Their respective situations along major global shipping routes means that they have always been rich in trade, rich in a cosmopolitan diversity of cultures, and rich in ideas: Just as the Bay Area has been a center of forward thinking, from the 1960s Haight-Ashbury counterculture to contemporary entrepreneurial Silicon Valley culture, Turkey -- and especially Istanbul -- is facing the future culturally and politically in its unique position at the crossroads of Europe, Asia, and the Arab world.
CCA and Istanbul: East Meets West
CCA has been engaging with Istanbul in many cultural exchanges in recent years. In 2011 Jens Hoffmann, director of the CCA Wattis Institute, co-curated the 12th Istanbul Biennial, which featured numerous CCA alumni and faculty. The Vehbi Koç Foundation of Turkey recently announced its pledge to support one full-time Turkish student each year in CCA's Graduate Program in Curatorial Practice. And in spring 2012, Mariella Poli's CCA course Locality and Global Discourses facilitated an exchange between 16 students at CCA and five students at Istanbul Bilgi University.
Posted on Thursday, June 28, 2012 by Elin Christopherson
Artist in Resident
Although metal arts and glass are ancient arts, Friedlich applies new and innovative industrial technologies in his work. While at CCA Friedlich brought CNC-milled graphite molds into the Hot Shop where Glass 2 students helped him fill them with hot glass. He also brought in 3D-printed vitrious objects, which he fired enamel colors onto, and he CNC-milled a plaster blow mold using the CCA shops.
Posted on Thursday, June 28, 2012 by Ace Lehner
With more than 230 of the top contemporary jewelry, clothing, furniture, and home-decor artists from across the country, this is the largest juried craft show west of the Rockies, providing an unparalleled opportunity for students to exhibit their fine art and functional craft works in a high-profile venue.
Posted on Thursday, April 19, 2012 by Mitchell Schwarzer
Mitchell Schwarzer gives his introduction at the CCA faculty retreat
On February 4, 2012, the faculty at California College of the Arts gathered at the college's San Francisco campus for a retreat focused on the state of the arts across our many disciplines. In the morning, 25 short presentations offered insights into challenges and opportunities faced by practitioners and thinkers in recent times. The word aired most frequently was crisis: the crisis of the Great Recession; the crisis of Global Climate Change; the crisis of understanding and working within a discipline in our digital age.
The economic downturn has produced an economic squeeze within most of our disciplines. Art directors, as Alexis Mahrus remarks, have diminished roles in shaping an illustration. Smaller profit margins reduce the flexibility and time given over to experimentation. Branding and celebrity worship take up a larger slice of the creative pie. Some presenters, like Sue Redding of Industrial Design, see no problem in this conflation of art and business and, furthermore, dispute the notion of a crisis. Yet many presenters feel that the economic crisis is not only real but wielding dangerously asymmetrical impacts. Demand remains strong for high-end craft goods and blue-chip fine art. Some small nonprofits are struggling to survive. To Ignacio Valero of Critical Studies, the priority given over to luxury items can be attributed to the ongoing influence of classical economic policies that privilege individual decision making over collective social and natural needs. Likewise, Sandra Vivanco of Diversity Studies notes that economic inequalities have greatly worsened over the past few years, especially in the developing world. Contemporary society is forging a timeless, spaceless way of conducting business, a race for lucrative and short-term gains that concentrates investment more than ever in the hands of a few.
Posted on Friday, January 27, 2012 by Molly Mitchell
A CCA student greets visitors to the School to Market booth at the 2012 American Craft Council Show at Fort Mason.
California College of the Arts and the American Craft Council have in common a passion for furthering craft education and mentoring young makers.
It’s no surprise that CCA and the ACC have over the past years joined forces to produce a number of programs geared toward the practice and business of making and selling craft.
Posted on Wednesday, November 30, 2011 by Jim Norrena
We invite you to learn more about the following alumni of CCA's Jewelry / Metal Arts Program by visiting their websites to review their current work, see what projects or events are coming up, read about past accomplishments, and see for yourself how CCA shaped their vision as artists.
Graduates leave CCA with the ability to realize their most adventurous ideas and the motivation to make a positive impact on the world -- ready to succeed in studio practice, the professional workplace, or a top-tier graduate program.