Painting Drawing News

Posted on Thursday, July 9, 2015 by Laura Braun

Wayne White was born and raised in Chattanooga, Tennessee. An artist, art director, illustrator, and puppeteer, he moved to New York City in 1981 to pursue his art career and find the platform that would support his ambitions. After working in comics and puppeteering, Wayne White became a designer for the hit television show Pee-wee's Playhouse. He received three Emmys for his work on the show, moved to Los Angeles and continues to have success in the arts and entertainment industry. He has two children, both of whom are artists, and lives with his artist wife, Mimi Pond.

Posted on Monday, July 6, 2015 by Laura Braun

With a long résumé of well-received shows at museums including MOCA, The Contemporary in Baltimore, and LACMA, Alexandra Grant is just hitting her stride. However, that doesn’t mean the 42-year-old is resting on her laurels—her latest body of work is not what most would expect. Her new series of paintings, “Antigone 3000,” has been hidden in the artist’s studio for the past year, and it has a sense of freedom and play not found in her earlier, often text-based pieces.

Posted on Monday, May 11, 2015 by Laura Braun

Kara Joslyn (b. San Diego, CA) is currently an MFA candidate in Visual Arts at UCSD. In 2008 she received her BFA in Painting from California College of the Arts in San Francisco, and lived in Oakland, CA, where she collaborated to begin an artist-run space in Oakland called As Is Ex. from 2010-12. In 2011 she completed a Post-baccalaureate in Painting at Columbia University School of the Arts in NYC.

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Posted on Monday, March 9, 2015 by Laura Braun

So it's timely that the Campus Center Galleries at the California College of the Arts, San Francisco hosted two very different shows recently, both of which required one to think about and be present.

Posted on Tuesday, February 3, 2015 by Jim Norrena

Painting/Drawing faculty members Terri Friedman and Victoria Wagner will have their work featured in the international exhibition A Special Curatorial Project with Rirkrit Tiravanija: The Way Things Go in the Museum of Gourd at Yerba Buena Center for the Arts in San Francisco.

Posted on Wednesday, January 14, 2015 by Laura Braun

As a kid growing up in the small town of Dyersburg, Tennessee, Bryan Keith Thomas' best friends were the eighty-year-old women who lived in his neighborhood. He would sit on their porches in the afternoons and listen to them recount tales of the past. Now, if you ask, the artist and California College of the Arts associate professor will recount his own stories about listening to their stories — describing how they held themselves like royal matriarchs, and paid a meditative attention to reality as a symptom of moving slowly.

Posted on Monday, January 12, 2015 by Rachel Walther

New York-based alumnus Erik den Breejen’s (BFA Painting 1999) paintings from afar read as simple pop art portraiture, but from up close they acquire another dimension entirely.

His portraits of famous musicians and performers -- including Bob Dylan, Neil Young, Richard Pryor, Karen Carpenter, and Atlantic Records founder Ahmet Ertegun, to name just a few -- are composed of meticulously selected texts from the performer’s own body of work that, when laid out on the canvas, fit together to pay tribute to the subject’s impact as an artist.

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Posted on Friday, January 9, 2015 by Laura Braun

Having seen many artists struggle to survive, Herrero makes no apologies for the decades he was a painter for hire. Starting in 1953, four years after graduating from what was then called the California College of Arts and Crafts (CCAF), he and two partners formed their own studio and turned out sought-after work for companies ranging from Shell Oil to Chevrolet, Morton Salt to the Milk Advisory Board. In 1969, he was commissioned by the U.S. Air Force Art Program to commemorate the lunar launch of Apollo 11.

Posted on Thursday, December 11, 2014 by Laura Braun

The play of light on San Francisco Bay was a major factor in his decision to settle permanently in Berkeley, where he worked as a preschool teacher and art supply cashier to support himself, finally becoming an adjunct professor for California College of the Arts. But all the paintings in the Matrix show are inspired by Iceland. CCA asked Zurier to teach a summer painting class anywhere he wanted in 2011, and remembering a horseback riding trip he once took with his wife, Nina Zurier, a photographer, he chose the far-north country.

Posted on Friday, December 5, 2014 by Jim Norrena

The Center for Art & Public Life (The Center) and the MBA in Design Strategy program, both at California College of the Arts, last month co-organized TechRaking 7, an annual hackathon series put on by The Center for Investigative Reporting (CIR), which focused on the intersection of journalism and design.

TechRaking 7, the first within the series to work exclusively with college students (and CCA as its official partner), had CIR CEO Joaquín Alvarado reaching out to CCA to pose the question: How can we rethink human interaction around the news within our communities?

CIR enlisted colleagues from two of its local media partners -- Bruce Koon of KQED and Martin Reynolds of the Bay Area News Group (BANG) -- to challenge CCA students with some of their toughest community-engagement issues. For example, how might:

CIR create new ways for people to communicate about the role of guns in their neighborhoods?
BANG offer a more participatory model that empowers residents to share overlooked topics?
KQED develop cross-regional tools to communicate better the personal effects of the growing technology industry?

Far be it for anyone at CCA to turn away a challenge, thought leaders at The Center decided to enlist the help of CCA students -- working in small teams representing a wide range of disciplines -- to collectively come up with innovative solutions that could encourage greater public participation in today's changing news gathering and distribution policies and procedures.

In short, TechRaking 7 challenged students to give the concept of the traditional newsstand a much-needed facelift.