Painting Drawing News

Posted on Tuesday, May 7, 2013 by Allison Byers

On Saturday, April 13, 2013, ten artists representing a range of painterly approaches and hailing from Los Angeles, New York, and the Bay Area gathered in San Francisco to take the pulse of a practice that is denigrated as often as it is celebrated.

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Posted on Monday, May 6, 2013 by Allison Byers

Artists and moderators gather for CCA's Painting Expanded Symposium

April 13, 2013, was an especially beautiful Saturday in San Francisco, but more than 100 CCA students, faculty, and members of the public shunned the sunshine to pack CCA’s Timken Lecture Hall for the Painting Expanded symposium, an engaging and inspiring series of discussions about contemporary painting.

Watch Part I on YouTube »
Watch Part II on YouTube »

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Posted on Thursday, May 2, 2013 by Lindsey Westbrook

Linda Geary
(Painting/Drawing chair)

My studio is in West Oakland (a few doors down from Zarouhie Abdalian’s). I keep a designated area for my works on paper, collages, and color archive, and the rest of the space is for using oil paint.

The view faces east toward larger loft spaces across the street, along with a few residential rooftops and the Oakland hills beyond. Late in the day, the windows across the street function like a giant mirror or clock that reflects the light, weather, and the sunset.

Photography by Andria Lo

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Posted on Thursday, May 2, 2013 by Lindsey Westbrook

Bryson Gill
(Painting/Drawing 2005)

My studio is a large private space in the Mission District of San Francisco. It is broken up into two rooms. The smaller one is for sculpture and prop making. The walls are covered with pine shelving for props and other objects, and, disregarding the mess, it looks more like a store than a studio.

The second and main room I use primarily as a painting studio. It has a large wall of south-facing windows that keep it evenly lit throughout the day. It's an incredible gift to have such great natural working light.

There are so many special things about the space: wood floors, tall ceilings, white walls, windows, roof access, a shop, and proximity to a handful of other artists who share the same floor of the building. There is no place I'd rather be.

Photography by Andria Lo

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Posted on Wednesday, April 24, 2013 by Rachel Walther

It's been more than 50 years since Rima West (Painting 1960) studied painting in the studios of CCA's Oakland campus. And not a day has gone by since that she hasn't relied on her craft for solace and community. She settled in Carmel after leaving CCA and developed a strong support base in the area, which continues today. She maintains a regular studio practice of painting and drawing, and she teaches dance at the Carmel Foundation.

West was born in the Bronx during the Great Depression, and during her childhood her father had a commercial art studio on Broadway in Manhattan. "Art was always in the house," she remembers. An opportunity to do medical illustration for the National Institute of Health took the family from New York to the Washington DC area, and eventually to California. West's father worked up and down the West Coast, designing exhibits for the state's visitor centers. When West was old enough, she started utilizing her painting and drawing skills to assist on these projects, including designs for a visitor center at Yosemite National Park.

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Posted on Thursday, April 18, 2013 by Lindsey Westbrook

Kathryn Van Dyke (Painting 1990)

I have worked off and on in my Sausalito studio since 1996. As a painter, light is important to me. In my studio there is adequate daylight, reflected light, sunlight, light from space, light from fog. Large paintings fit in it; the ceilings are high so that they can be easily turned over and moved around. It is well ventilated.

Culture and nature surround the studio. I hear birds and feel the ground shake from trucks on the road. I can feel the weather and hear the city noise.

Photography by Andria Lo

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Posted on Tuesday, March 26, 2013 by Allison Byers

Eric Gottesman will speak on April 3, 2013, at 11:00 a.m. at the Ralls Painting Studio at the California College of the Arts Oakland campus.

Visit source »http://www.artpractical.com/profile/eric_gottesman/)

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Posted on Thursday, March 21, 2013 by Allison Byers

A product is being developed out of the Forest Products Laboratory at the University of Wisconsin collaborating with artist Christine Lee and US Department of Agriculture's John F. Hunt. The product in process is a MDF alternative using no resins and a combination of biodegradable and recycled materials such as used cardboard, cow manure and sawdust.

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Posted on Tuesday, March 12, 2013 by Chris Bliss

untitled # 7 (from The Linens), 2012 acrylic, graphite on polished medium-weight Belgian linen 20 x 22 in.

George Lawson Gallery in Los Angeles presents the work of CCA President Stephen Beal March 15-April 27 (the opening reception was held March 16 from 5 to 8 pm.).

The gallery will showing selections from two series by Beal -- paintings on wooden panels and stretched linen that predominately engage white. A 140-page hardcover book with 62 color reproductions accompanies the exhibition.

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Posted on Monday, March 4, 2013 by Allison Byers

Two new installations by Parker Ito in his Los Angeles solo debut diagram artistic relationships, no doubt underscored by the new realities of a digital world. That is both their considerable strength and an unavoidable weakness.

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