Painting Drawing News

Posted on Monday, September 10, 2012 by Allison Byers

A quarter-century ago, artist Salvatore Pecoraro and a team of assistants spent all summer creating a huge sculpture of marble, travertine and bronze to mark the entrance to a stunning new house in the Danville community of Blackhawk.
Because of the scale of the piece -- about 20 feet high, resting in a reflecting pool that is 32 feet across -- every step was carefully planned. The intent, Pecoraro says, was to create a work that appeared to have been worn by time, a relic of a bygone civilization.

Posted on Monday, August 6, 2012 by Allison Byers

Mia Christopher is a young San Francisco-based artist fresh out of her BFA at the California College of the Arts. Working in several different mediums, Christopher's works are an amalgamation of colors, shapes, and textures. Different types of paper, amorphous forms of latex, and simple gouache and acrylic color fields come together to form the beautifully abstract collection of images and three-dimensional objects in her portfolio.

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Posted on Monday, August 6, 2012 by Allison Byers

Tara Tucker is a Bay Area-based visual artists. Tucker studied sculpture at California College of Arts & Crafts in Oakland, receiving both her BFA and MFA from the college.

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Posted on Thursday, August 2, 2012 by Lindsey Westbrook

Daring Adventures in Paint: Find Your Flow, Trust Your Path, and Discover Your Authentic Voice-Techniques for Painting, Sketching, and Mixed Media
Quarry Books, 2012
Paperback, 128 pages, $22.99

Daring Adventures in Paint is a colorful, whimsical book exploring paint and mixed-media techniques by the artist/illustrator/blogger Mati Rose McDonough (Painting/Drawing 2007). Through practical applications and creative exercises, McDonough shows artists how to "find their magic" -- the place of confidence from which they can access the vision of what they want to share with the world.

Posted on Tuesday, July 24, 2012 by Lindsey Westbrook

From Amber Cox's documentation of San Francisco's Financial District

San Francisco and Istanbul: Both built across seven hills, on peninsulas jutting into major bodies of water, where East meets West dramatically and literally-continentally. Their respective situations along major global shipping routes means that they have always been rich in trade, rich in a cosmopolitan diversity of cultures, and rich in ideas: Just as the Bay Area has been a center of forward thinking, from the 1960s Haight-Ashbury counterculture to contemporary entrepreneurial Silicon Valley culture, Turkey -- and especially Istanbul -- is facing the future culturally and politically in its unique position at the crossroads of Europe, Asia, and the Arab world.

CCA and Istanbul: East Meets West

CCA has been engaging with Istanbul in many cultural exchanges in recent years. In 2011 Jens Hoffmann, director of the CCA Wattis Institute, co-curated the 12th Istanbul Biennial, which featured numerous CCA alumni and faculty. The Vehbi Koç Foundation of Turkey recently announced its pledge to support one full-time Turkish student each year in CCA's Graduate Program in Curatorial Practice. And in spring 2012, Mariella Poli's CCA course Locality and Global Discourses facilitated an exchange between 16 students at CCA and five students at Istanbul Bilgi University.

Posted on Tuesday, July 17, 2012 by Allison Byers

San Francisco-based artist Mia Christopher is making leaps and bounds with her new body of work, which includes paintings and drawings made from a range of alternative materials- confetti, glitter, iridescents, eyeshadow, and lipstick. After graduating with a BFA from California College of the Arts in May 2012, Mia’s prolific process of making hasn’t slowed down for a second.

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Posted on Tuesday, July 17, 2012 by Allison Byers

Although she has long harbored artistic aspirations, it wasn't until Maine native Mati Rose McDonough ( www.matirose.com) moved to San Francisco in 2000 that she became determined to make art her livelihood. "I was working at a small art law firm as a legal assistant and wishing that instead of helping to draft contracts for the artists that I was on the other side."

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Posted on Friday, July 6, 2012 by Allison Byers

When local multi-media artist Mia Christopher received an email asking if she'd like to collaborate on designs for nationwide women's retailer Anthropologie, she thought it was a prank.

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Posted on Thursday, July 5, 2012 by Allison Byers

Mary Meyer was once a painter whose sartorial ambitions exceeded her wallet’s limitations. Thus, she began making clothes that she wanted to wear. And people just started buying it off of her. She’s still a painter. As a graduate of California College of Arts & Crafts, her fine arts skills take the place of the a design background.

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Posted on Tuesday, July 3, 2012 by Lindsey Westbrook

Watching their Carnaval float moving down Mission Street as part of San Francisco's massive annual parade, laden with dancers from the Brazilian troupe Sambaxé, accompanied by the vibrant beats of the Brazilian musical group Blocura and the powerful moves of the Brazilian ABADA Capoeira troupe, TV cameras rolling, people cheering from the sidewalks and the rooftops high above. . . It was a triumphant moment for CCA faculty member Sandra Vivanco and the 15 students in her Body and Spectacle course.

The Carnaval parade was the culmination of a semester of hard work and intensive collaboration -- not only among the CCA students, but also in coordination with a group of high school students enrolled in the Out of Site Youth Arts Center, the city of San Francisco, experts in construction and transportation, and beyond. The CCA course was offered under the auspices of Diversity Studies and attracted a correspondingly wide-ranging bunch, from Architecture and Interior Design to Graphic Design, Illustration, Fashion Design, and Painting/Drawing.

The students designed not only the Carnaval float structure, but also the costumes and props that made its appearance in the parade a real performance rather than just a potential site for one. They had done as much work as they could in the CCA shops, and then transported the pieces to Pier 40, where the city graciously donated space for final assembly.

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