Printmaking News

Posted on Friday, February 20, 2015 by Em Meine

Changing Tides, Marilyn da Silva. (Courtesy of the artist)

Jewelry / Metal Arts chair Marilyn da Silva was recently selected by The Maloof Foundation and Craft in America as one of 12 "core artists" to exhibit her work and nominate other artists working in craft-based fields for California Handmade: State of the Arts

Read the rest

Posted on Thursday, January 22, 2015 by Laura Braun

From the Serpent & Bow blog

When Rachel Blodgett (Textiles/Printmaking, 2011) first arrived at CCA’s Oakland campus, she knew she had found her place. As someone drawn to history and nature, the century-old college and its foliage-laden campus instantly called to her.

In fact, the lush landscape of the campus served as an impetus for her fascination with dyes, which inspired her to launch Serpent & Bow, a full-fledged online business specializing mainly in sustainable indigo-dyed lingerie.

Visit Serpent & Bow on Etsy »

“The Oakland campus felt magical and it just felt like home to me. I enjoyed taking the shuttle between campuses. My first year I took Fashion [Design] and had to get up early and it was just really beautiful,” says Blodgett.

Read the rest

Posted on Friday, October 10, 2014 by Kari Marboe

True collaborations come easily, especially when they combine history and clay.

Ceramics faculty member Kari Marboe, Director of Alumni Relations Jessica Russell, Director of Libraries Annemarie Haar, and CCA alumnae Eve Steccati-Tanovitz (Graphic Design 1969) and Arlene Streich (Arts Education 1961; Painting 1966) worked together to reveal the history of the college’s archived woodblocks and incorporate these historical tools at the Ceramic Program’s Open House, which took place as part of CCA’s Alumni Weekend earlier this month.

See more images of the Ceramics Open House »

Story of the Woodblocks

In the late 1960s, Professor Emeritus Vincent Perez was teaching woodblock printing and drawing at what was then CCAC. An Alumni Office staff member in Treadwell Hall (now Macky Hall) asked Perez if he would like to take possession of the woodblocks.

The woodblocks had been previously used to print the college’s publications (course catalogs, newsletters, and diplomas) going back to its founding in 1907 and decades thereafter.

If Perez hadn’t wanted them, they would have been thrown away.

Read the rest

Posted on Monday, September 8, 2014 by Laura Braun

So Mathis, a senior at the California College of the Arts, channeled this frustration into inspiration for her printmaking, which is on display until September 12 at the Isabelle Percy West Gallery on the college’s Oakland campus, along with work by five fellow printmakers. The 19th annual Yozo Hamaguchi Printmaking Scholarship Awards Exhibition highlights work by exceptional printmaking students.

Visit source »

Read the rest

Posted on Thursday, August 21, 2014 by Laura Braun

Ireland died in 2009, but early in 2005, when preservationists feared it would be lost as an art treasure, Carlie Wilmans, a trustee of the San Francisco Museum of Modern Art and California College of the Arts purchased the home to maintain it as an artistic institution. Conservation work on the building will keep it closed until December 2015. Part of the house will be converted into a studio space for artist residencies. A book on the history and context of Ireland’s house will be published in March 2015.

Read the rest

Posted on Sunday, August 17, 2014 by Dustin N. Smith

Emma Ulen-Klees (BFA Printmaking), Progression, 2014View slideshow 

California College of the Arts alumna Emma Ulen-Klees (BFA Printmaking 2014) was awarded a 2014 Hamaguchi Emerging Artist Residency at Kala.

The artist in residence at Kala Art Institute is funded by the Hamaguchi Endowment for the advancement of printmaking at CCA and by the Kala Art Institute.

The award represents a rich collaboration between the two institutions that creates a special opportunity for a recent BFA Printmaking graduate to work in the dynamic Kala facilities with a community of artists from all over the world.

While studying printmaking and visual studies at CCA, Ulen-Klees began to develop a conceptual body of work inspired by the juxtaposition of natural and urban landscapes and uses the multiple to further explore human relationships to ecology within their manufactured environments.

 

Read the rest

Posted on Thursday, July 31, 2014 by Jim Norrena

The following undergraduate Printmaking students have been awarded the 2014 Yozo Hamaguchi Printmaking Scholarship, for which each student received a $3,000 tuition scholarship.

Lukaza Branfman-Verissimo
Samuel Forrest Alderson
Lisa Mathis
Angel Perez

Alexandra Phelps
Samantha Thompson

Graduate Winner
The graduate winner is Carolina Magis Weinberg.

Read the rest

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Star 82 Review 2.1 and 2.2
CreateSpace, 2014
Paperback and online, $11.95
Issue 2.1 print / online
Issue 2.2 print
/ online

Star 82 Review is an art and literature magazine founded and edited by Printmaking faculty member Alisa Golden. Out now: issues 2.1 and 2.2!

“We’ve got color in the spring for issue 2.1, featuring a new poem by the wonderful Joanne Kyger,  photos by Mary Daniel Hobson that look like tattoos, but aren’t, and graffiti photos and stories and poems that revolve around individuality. Layered and worthy of multiple readings, these pieces deal with contradictions and alternate identities.”

Issue 2.1 features CCA alumnus Jønathan Lyons (MFA Writing 2005), who has created an erasure text from two pages of Frankenstein. 

Of issue 2.2, Golden says: “Like rivers, rocks, and beaches, the pieces in the summer issue 2.2 are about surviving, but also show how we take care of one another, how we often judge too quickly, how we discover compassion and hope: this is an eclectic, colorful mix of writing and art, from poems assembled from gravestones to portraits on toast.”

Issue 2.2 features CCA alumna Bonnie S. Kaplan (MFA 1991).

Read the rest

Posted on Wednesday, May 14, 2014 by Laura Braun

Serpent & Bow use sustainably sourced fabrics and natural dyes such as indigo to create these handcrafted textiles and fashion items that evoke mythical mer-people. Founded by Rachel Blodgett and Julian Farmar-Bowers, from Northern California, the pair studied at California College of the Arts. While Rachel studied textiles, Julian studied printmaking, and began developing this combined interest in creating beautiful, hand-painted garments that, according to them, honors nature, their source.

Read the rest

Posted on Thursday, May 1, 2014 by Laura Braun

I fell in love with indigo while I was a student at California College of the Arts. Indigo is a really magical natural dye because it requires a constant relationship of care-taking. The vat must be checked on daily in order to maintain it's delicate anaerobic balance- but what is amazing is that it can be kept "alive" indefinitely. For me, Indigo became a studio companion that kept me enchanted and curious about everything that it could offer. Right now I am obsessed with batik (a hot-wax resist method).

Read the rest

Pages