Sculpture News

Posted on Monday, November 10, 2014 by Em Meine

Paul Kos Sound of Ice Melting

Considering the history of sound art since the 1960s, Christoph Cox will discuss what it might mean to treat an intangible, evanescent material -- sound -- as a sculptural medium.

The recipient of a 2009 Arts Writers grant from Creative Capital / Warhol Foundation, Cox is editor at large for Cabinet magazine. His writing has appeared in October, Artforum, the Journal of the History of Philosophy, the Wire, the Journal of Visual Culture, Organised Sound, International Studies in Philosophy, The Review of Metaphysics, and elsewhere.

Posted on Thursday, November 6, 2014 by Laura Braun

I grew up with an appreciation for object making. I started sewing and making jewelry when I was a kid. I studied painting, sculpture, and installation art at California College of the Arts, but it wasn't until I was about to graduate I started getting interested in jewelry and started using my school's laser cutter to make necklaces.

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Posted on Thursday, June 26, 2014 by Matthew Kelly

Dario Robleto and the spring 2014 Materialist Poetry Advanced Sculpture Workshop

The Sculpture Program invited Dario Robleto to join the CCA faculty as the 2013-14 Viola Frey Distinguished Visiting Professor. His time was divided between the undergraduate and graduate programs where he worked with students on self-defined "materialist poetry."

Robleto creates most of his work by using embedded histories in his materials to build narratives of love and time. He often uses audiotape or vinyl to hint at a forgotten history.

Posted on Monday, May 5, 2014 by Rachel Walther

Gregory Kloen with a work in progress [photo: Rachel Walther]

Gregory Kloehn (Glass 1998) is working hard to build a better community -- literally. At his West Oakland live-work space, he is engaged in an ongoing project to build mobile shelters for the homeless residents of his neighborhood.

His efforts have attracted attention from all over the world, and from all types, from off-the-grid survivalists to the media (he’s been featured on Inside Edition, Rachel, and many other shows) to green-minded micro-home design enthusiasts.

Read the San Jose Mercury News and KQED features on Gregory Kloehn.

Posted on Tuesday, April 22, 2014 by Zachary Royer Scholz

Curated by Joyce Grimm (MA Curatorial Practice 2006), the exhibition Thresholds of Faith: Four Entries Into the Beyond at San Francisco’s Manresa Gallery features four artists of different faith backgrounds who are all affiliated with CCA.

The artists -- Lynn Marie Kirby (Film faculty), Taraneh Hemami (MFA 1991, now Diversity Studies faculty), Ali Naschke-Messing (MFA 2007), and Cara Levine (MFA 2012, now Sculpture faculty) -- have each produced evocative individual projects that invite reflection on religious practice and experience within contemporary life.

Housed within the active Catholic parish of San Francisco’s Saint Ignatius Church, Manresa Gallery is a unique project (and a surprising one, to many) that allows local and international contemporary artists to directly explore intersections between art and religion.

The resulting exhibitions expand the boundaries of both spiritual and artistic endeavor, and aim to generate far-reaching dialogue within a broad and diverse community.

Posted on Monday, March 31, 2014 by Rachel Walther

Norval Gill (Art Education 1937) was born in Stockton in 1914. He began his artistic career during the Great Depression, and today, approaching his second century of life, he is still working and enjoying his craft.

Along the way he was on the Federal Art Project, worked as an illustrator and draftsman at an aircraft company, and has been a teacher, a graphic designer, a painter, a sculptor, and a devoted family man.

Gill is reluctant to differentiate between art for illustration, exhibition, personal enjoyment, and advertising. “I’ve always felt that art is art, and art that is done for a particular purpose does not make it less worthwhile.”

His influences have included the writings and philosophy of the British type designer and sculptor Eric Gill as well as his CCA(C) professor Glenn Wessels, who first exposed him to Lewis Mumford’s book Technics and Civilization and connected him with the Federal Art Project after graduation.

Posted on Friday, March 14, 2014 by Laura Braun

"I made so many ceramics - where can I put them all?" said Seka, who's a sculptor in residence at California College of the Arts in Oakland. "First I just put one in the front, but I got so much fantastic response I started putting out more."

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Posted on Thursday, January 23, 2014 by Jim Norrena

From CCA to IDEO to Plum Organics . . . see where an arts education is taking this alum!

Career Success: A Media Synopsis

In June 2012 the New York Times sunk its teeth into Neil Grimmer (BFA Sculpture 1995) and his human-interest, business-savvy success story with Plum Organics, the organic baby-food company that has reshaped the industry by changing not only what we're packaging but also how we're packaging it. 

Posted on Thursday, November 14, 2013 by Allison Byers

So don't miss this Thursday's "METAMORPHOSIS," when the talented artist/designers from the California College of the Arts transform the Academy (and possibly you) into something unexpected. Explore a multitude of industrial, interaction, illustration, fashion, furniture and graphic designers from CCA as they showcase an amazing, cutting-edge array of work, highlighting new technologies and innovative ideas that explore the concept of metamorphosis.

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Posted on Monday, October 21, 2013 by Molly Mitchell

Simin Eivazi (BFA Sculpture 2013)

The Jack Kent Cooke Foundation announced in June that recent CCA alumna Simin Eivazi (BFA Sculpture 2013) was one of 20 scholars selected to receive the Graduate Arts Award for 2013.

The award provides each Jack Kent Cooke Scholar with funding up to $50,000 per year for up to three years to support graduate studies in visual arts, performance, or creative writing at accredited institutions in the United States or abroad.