Sculpture News

Posted on Wednesday, October 16, 2013 by Allison Byers

Previously a professor of sculpture at California College of the Arts, Oakland-based Feldman has been creating for fifty years now, and this is the first retrospective of her fruitful career. Although her work has varied some in form and medium, her recognizable dark humor pervades every piece.

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Posted on Monday, October 14, 2013 by Allison Byers

For decades, octogenarian New York native Bella Feldman has been turning out sculpture made of wood and steel; blown, cast and etched glass; and - occasionally - found objects. Her "War Toys," provoked into being by the 1991 Gulf War and its aftermath, rank as canonical Bay Area sculpture.

Though revered as a longtime teacher at California College of the Arts, Feldman says, "I'm not exactly high on a list of collected artists."

The Richmond Art Center honors her with a stirring survey exhibition, in which we met and spoke.

Posted on Tuesday, September 3, 2013 by Allison Byers

"In my work, I'm interested in questioning the things we project onto the notion of craftsmanship — ideas of authenticity, cultural identity," said Smith, chair of sculpture at California College of the Arts in the Bay Area. The piling up is meant to suggest someone stockpiling these types of objects "as if the idea of early American nationalism is in danger of extinction."

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Posted on Thursday, August 15, 2013 by Jim Norrena

The Center for Craft, Creativity & Design announced in April that Hilary Sanders and Michael Esteban, two recent Jewelry / Metal Arts alumni, both were awarded a 2013 Windgate Fellowship, bringing to five the total number to date of Windgate Fellowships awarded to CCA students since the award's inception.

The fellowship selection process presents a “rare opportunity to survey the best and brightest emerging makers in the field of craft.” It also gives these emerging artists both the validation and financial resources to pursue their dreams.

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Posted on Thursday, August 1, 2013 by Allison Byers

After graduating from California’s College of the Arts, where her primary medium was sculpture, Lush said, she was turned off by the “pretentiousness” of the art world. She found the entertainment world a better fit.

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Posted on Monday, July 8, 2013 by Jim Norrena

Recent graduate Kellie Wolfe (Sculpture 2013) describes the project she began working on in Barney Haynes's Interface course as "a steel pedestal that holds an animatronic stomach that moves based on the viewer's interaction with it." The piece measures 48" x 7" x 5" and undulates with the viewer's movements.

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Posted on Monday, July 8, 2013 by Allison Byers

"I was interested in exploring that impulse to perform and repeat American history and something that seemed very nationalistic and conservative and hetero normative," she explains. "A lot of the re-enactments I went to seemed like performances of masculinity, so I wanted to look at it."

The California College of the Arts professor, 41, holds a master's degree in sculpture from Yale, and her work has been acquired by the Whitney Museum of American Art and the Saatchi Gallery London.

Posted on Monday, July 8, 2013 by Allison Byers

The cardinal rule of home buying is "location, location, location." But it can also apply to educational institutions.

"Any college or university takes much of its character from its location," says Stephen Beal, president of California College of the Arts. "An increasing part of a student's education isn't just about what's happening in the classroom, but also outside of it."

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Posted on Thursday, July 4, 2013 by Jim Norrena

CCA's booth at Maker Faire received two Make magazine editor's choice awards

Ever since the college was founded in 1907, making art has defined what we do at California College of the Arts -- both what we create and how we create it.

Today we have a new challenge to how we create art. The Bay Area has become a vast melting pot of innovation driven by the demands of technology-reliant and design-savvy enthusiasts.

We live in the innovation corridor -- a unique stomping grounds where the doers and makers are integrating time-honored principles of craft into the ever-changing technological landscape.

Posted on Thursday, June 13, 2013 by Allison Byers

Glen Helfand is with the California College of Arts in San Francisco. He says, "There used to be a network of grants that artists could get to fund projects. I mean way back in the ancient history, galleries might have given artists stipends. Now it's a much tougher game."

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