After he was diagnosed with cancer at age 14, he was homeschooled by his mother and spent hours drawing, painting and doing ceramics. After completing a bachelor's in fine arts at California College of the Arts he left for Hawaii to build his first tree house, using hand tools and material found on the beaches and forests. When he came back to San Francisco to do a show of his paintings at Needles & Pens store, he made another tree house using recycled urban stuff and lived there for a month.
Posted on Monday, June 23, 2014 by Laura Braun
Posted on Wednesday, May 28, 2014 by Laura Braun
Preservation as revelation: a bus maintenance building from 1951 designed by Skidmore Owings & Merrill was converted into the San Francisco campus of this 107-year-old institution. The architecture firm Leddy Maytum Stacy in the late 1990s filled the gaunt industrial structure with studios, classrooms and galleries lining an immense central "nave" beneath skylights.
Posted on Monday, May 5, 2014 by Rachel Walther
Gregory Kloen with a work in progress [photo: Rachel Walther]
Gregory Kloehn (Glass 1998) is working hard to build a better community -- literally. At his West Oakland live-work space, he is engaged in an ongoing project to build mobile shelters for the homeless residents of his neighborhood.
His efforts have attracted attention from all over the world, and from all types, from off-the-grid survivalists to the media (he’s been featured on Inside Edition, Rachel, and many other shows) to green-minded micro-home design enthusiasts.
Posted on Wednesday, March 19, 2014 by Chris Bliss
Harriet Street Student Residences
The Harriet Street Student Residences building in San Francisco has successfully achieved LEED platinum level -- the highest level of certification -- by the U.S. Green Building Council, an organization committed to a prosperous and sustainable future for our nation through cost-efficient and energy-saving green buildings.
LEED certification is recognized across the globe as the premier mark of achievement in sustainable building.
Some of the “green” features of CCA's Harriet Street Residences include
- Natural light and ventilation
- Solar water heating
- Stainless steel Energy Star appliances
- Rainwater harvesting
- Low-flow fixtures
- High recycled content
- Reduced construction waste
Posted on Monday, March 3, 2014 by Deborah Valoma
Mariano Sosa Martinez and Rafaela Ruiz Guetierrez demonstrate at the Textile Futures public demonstration at the University of California, Berkeley Art Museum. Photo by Sita Bhaumik
CCA's Textiles Program hosted two respected members of the artist collective Centro de Arte Textil Zapoteco Bii Dauu -- Mariano Sosa Martinez and Rafaela Ruiz Gutierrez -- for its 2014 biennial event, Textile Futures 2014: Conversations Around the Dye Pot.
Textiles Futures promotes cross-cultural and cross-generational dialog geared toward locating and expanding the rhetoric around textile sensibilities and practices.
This year the CCA Textiles Program collaborated with artist and curator David Wilson with his ongoing project The Possible at the University of California, Berkeley Art Museum.
Posted on Friday, January 24, 2014 by Jim Norrena
(inset l-r) Emi Watanabe, Kyaligaba Frank, and Andrew Maxwell-Parish
California College of the Arts Hybrid Lab manager Andrew Maxwell-Parish spent his holiday break far away from the college, helping a community he’d never met before.
After crowd-sourcing funds from friends and family in order to travel to Kampala, Uganda, he and his "instructables" colleague Emi Watanabe flew half-way around the globe to meet Paola de Cecco, who is in charge of the 3D printers owned by local Kampala-based nonprofit, Village Energy.
Posted on Thursday, January 23, 2014 by Jim Norrena
From CCA to IDEO to Plum Organics . . . see where an arts education is taking this alum!
Career Success: A Media Synopsis
In June 2012 the New York Times sunk its teeth into Neil Grimmer (BFA Sculpture 1995) and his human-interest, business-savvy success story with Plum Organics, the organic baby-food company that has reshaped the industry by changing not only what we're packaging but also how we're packaging it.
Posted on Monday, December 2, 2013 by Allison Byers
The designer behind the One Laptop Per Child Project, Yves Behar is truly a world-class designer, balancing aesthetics, function, and socially-based initiatives. Founder and principal designer of FuseProject, he also happens to be the Chair of the Industrial Design Department at San Francisco’s California College of the Arts. Recently, he facilitated a design studio in which Industrial Design students partnered with South Korean cell phone manufacturer Pantech to design new cell-phone models, taking on the future of mobile communications and addressing the idea of emotional networking.
Posted on Tuesday, November 26, 2013 by Allison Byers
Clothes manufacturing and design is entering a phase similar to what food experienced in the 1970s. Spurred by the naturally available flora of Northern California, and led by the idiosyncratic political enthusiasms of the people who live there, there's a slow movement toward wearing and manufacturing sustainable clothes and linens. Duerr has taught a class at the California College of the Arts on how to color clothing without using industrial materials. Her nonprofit Permacouture Institute hopes to spread that gospel to public schools as well.
Posted on Tuesday, November 26, 2013 by Allison Byers
Over the weekend of November 16-17, 2013, 24 CCA undergraduates participated in Wheel Well, a “design sprint” for bicycle safety in Silicon Valley.
Organized by Silicon Valley Bicycle Coalition’s Roadway Safety Solutions Team, CCA’s Center for Art and Public Life, and CCA’s Design division, the event challenged students to rapidly conceive an intervention that would: 1) improve the relationship between motorists and cyclists in Silicon Valley; and 2) encourage behavior change to ensure the safety of everyone on the road.