Textiles News

Posted on Thursday, February 19, 2015 by Em Meine

Presented by the CCA Textiles Program Lecture Series

Wednesday, February 25, 2015

12:00PM - 1:00PM

 

Voices of Industry creates hand woven garments and textiles from 100% domestic fiber, farmed and spun in the U.S. Adele Stafford launched this project in 2013 and hand weaves each piece on her Ahrens Violette mechanical dobby loom in San Francisco.

www.voicesofindistry.com

 

Textiles Studios

California College of the Arts

Oakland Campus

5212 Broadway

(above Blick)

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Posted on Thursday, January 22, 2015 by Laura Braun

From the Serpent & Bow blog

When Rachel Blodgett (Textiles/Printmaking, 2011) first arrived at CCA’s Oakland campus, she knew she had found her place. As someone drawn to history and nature, the century-old college and its foliage-laden campus instantly called to her.

In fact, the lush landscape of the campus served as an impetus for her fascination with dyes, which inspired her to launch Serpent & Bow, a full-fledged online business specializing mainly in sustainable indigo-dyed lingerie.

Visit Serpent & Bow on Etsy »

“The Oakland campus felt magical and it just felt like home to me. I enjoyed taking the shuttle between campuses. My first year I took Fashion [Design] and had to get up early and it was just really beautiful,” says Blodgett.

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Posted on Wednesday, November 19, 2014 by Laura Braun

She earned a bachelor's degree in English and psychology and a master's in counseling from the University of Michigan and later moved to the Bay Area, where she studied textile design at the California College of the Arts in Oakland and worked as a therapist. At one point, she took a class in perfumery and was hooked; soon she was experimenting with essential oils, researching the origins of perfume in the ancient world and tracking down rare materials.

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Posted on Monday, August 25, 2014 by Laura Braun

She was plucked from her master's program at the California College of the Arts to set up new Jacquard curricula at the Chicago Institute of Art, where she was a tenured professor until a few years ago. Her work has been included at exhibitions at numerous museums, including the Smithsonian Museum of American Art's Renwick Gallery.

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Posted on Monday, August 4, 2014 by Laura Braun

Meredith Brion is studying textiles at California College of the Arts, so it makes sense that when she describes her tank, she goes into colorful detail on its weight and the images it inspires (see below). The East Coast native considers her style low-key, and an extension of her mood and how it changes. “I was a tomboy growing up, so I think most of the time I’m channeling that essence or chance of me getting my hands dirty,” Brion says. ” I bike a lot, so that’s also a consideration.”

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Posted on Wednesday, May 14, 2014 by Laura Braun

Serpent & Bow use sustainably sourced fabrics and natural dyes such as indigo to create these handcrafted textiles and fashion items that evoke mythical mer-people. Founded by Rachel Blodgett and Julian Farmar-Bowers, from Northern California, the pair studied at California College of the Arts. While Rachel studied textiles, Julian studied printmaking, and began developing this combined interest in creating beautiful, hand-painted garments that, according to them, honors nature, their source.

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Posted on Monday, March 31, 2014 by Rachel Walther

Norval Gill (Art Education 1937) was born in Stockton in 1914. He began his artistic career during the Great Depression, and today, approaching his second century of life, he is still working and enjoying his craft.

Along the way he was on the Federal Art Project, worked as an illustrator and draftsman at an aircraft company, and has been a teacher, a graphic designer, a painter, a sculptor, and a devoted family man.

Gill is reluctant to differentiate between art for illustration, exhibition, personal enjoyment, and advertising. “I’ve always felt that art is art, and art that is done for a particular purpose does not make it less worthwhile.”

His influences have included the writings and philosophy of the British type designer and sculptor Eric Gill as well as his CCA(C) professor Glenn Wessels, who first exposed him to Lewis Mumford’s book Technics and Civilization and connected him with the Federal Art Project after graduation.

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Posted on Monday, March 3, 2014 by Deborah Valoma

Mariano Sosa Martinez and Rafaela Ruiz Guetierrez demonstrate at the Textile Futures public demonstration at the University of California, Berkeley Art Museum. Photo by Sita Bhaumik

CCA's Textiles Program hosted two respected members of the artist collective Centro de Arte Textil Zapoteco Bii Dauu -- Mariano Sosa Martinez and Rafaela Ruiz Gutierrez -- for its 2014 biennial event, Textile Futures 2014: Conversations Around the Dye Pot.

Textiles Futures promotes cross-cultural and cross-generational dialog geared toward locating and expanding the rhetoric around textile sensibilities and practices.

This year the CCA Textiles Program collaborated with artist and curator David Wilson with his ongoing project The Possible at the University of California, Berkeley Art Museum.

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Posted on Tuesday, November 26, 2013 by Allison Byers

Clothes manufacturing and design is entering a phase similar to what food experienced in the 1970s. Spurred by the naturally available flora of Northern California, and led by the idiosyncratic political enthusiasms of the people who live there, there's a slow movement toward wearing and manufacturing sustainable clothes and linens. Duerr has taught a class at the California College of the Arts on how to color clothing without using industrial materials. Her nonprofit Permacouture Institute hopes to spread that gospel to public schools as well.

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

2012 SECA Art Award: Zarouhie Abdalian, Josh Faught, Jonn Herschend, David Wilson
SFMOMA, 2013
Paperback, 40 pages, $9.95

Three of the four winners of the 2012 SECA Art Award are CCA affiliates: Zarouhie Abdalian (MFA 2010) is an alumna, Josh Faught is on the Textiles faculty, and Jonn Herschend is a former faculty member and visiting artist. The award, given every two years by SFMOMA, honors Bay Area artists.

This SECA exhibition catalogue features interviews and texts by the award curators Jenny Gheith and Tanya Zimbardo (MA Curatorial Practice 2005), documentation of the commissions, and illustrations of previous work.

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