Visual and Critical Studies News

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Grand Theft Vito
Concrete Press, 2014
Paperback, 234 pages, $99

Between July 3 and 25, 2013, the San Francisco-based artists COLL.EO (comprised of Visual Studies faculty member Matteo Bittanti and partner in crime Colleen Flaherty) walked through the streets of Liberty City, the fictional metropolis of Grand Theft Auto IV, under the guise of Vito Acconci. Titled Following Bit, the performance was meant as a replay of Acconci’s seminal Following Piece (1969). Forty-four years earlier, Acconci followed for an entire month a random person each day in New York, stopping only if they entered a private space. Acconci typed up an account of each "pursuit" and sent a report to a different member of the art community the subsequent month.

COLL.EO’s 2013 replay generated an enormous set of data, consisting of 23 digital videos in high definition over 118 gigabytes in size; 13,300+ digital photos; 60 digital prints; 23 written accounts sent in tweet form, plus several typewritten pages of notes, framed and mounted to a board.

A Game Art walkthrough, this book provides a unique, in-depth documentation of Following Bit and the related art mod Grand Theft Vito (2013) through texts, screengrabs, annotations, and a long conversation between COLL.EO and the San Francisco-based artist Carlo Ricafort.

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Posted on Thursday, May 8, 2014 by Rachel Walther

Jen Banta Yoshida interviews Nancy Hom for her Bernice Bing documentary

Jen Banta Yoshida (MA Visual and Critical Studies 2009) is many things: an activist, a writer, an artist, a San Francisco native. For the past seven years, she has been delving into the biography of the artist Bernice Bing.

Her intensive research culminated in The Worlds of Bernice Bing, a documentary film released in late 2013. (Watch the trailer »)

The film will screen next at the Crocker Art Museum in Sacramento on June 26, 2014 , followed by a Q&A with Jen Banta Yoshida and Lenore Chinn.

Bing was also a San Francisco native. She was born in 1936 in Chinatown and worked in the city for most of her life, as a painter and an activist for community-based arts.

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Posted on Wednesday, February 26, 2014 by Allison Byers

Team members Kristina Kotlier (MArch 2013) (left) and Raine Paulson Andrews (MArch 2014) (right) with a STAND UP supporter

In spring 2013, three CCA students came together with one common goal: to make a difference with an IMPACT Social Entrepreneurship Award from CCA’s Center for Art and Public Life.

Robert Gomez (MFA and MA Visual and Critical Studies 2013), Raine Paulson Andrews (MArch 2014), and Kristina Kotlier (MArch 2013) were indeed one of three teams who won the award for summer 2013, and the project they carried out, STAND UP with Jamaica, was a major turning point for all of them.

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

Smaller Than Life
Concrete Press, 2013
Hardcover, 80 pages, $57.99

Operating in the hybrid zone between sculpture, craft, miniature making, and conceptual art, Visual Studies faculty member Matteo Bittanti creates seven self-portraits that simultaneously appropriate and reconfigure a peculiar medium: die-cast model cars. This limited-edition book features photographs by the artist Colleen Flaherty and a long conversation between Bittanti and the Bay Area artist Juan Carlos Quintana.

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Posted on Monday, August 19, 2013 by Allison Byers

Bing grew up during a period in history when discrimination based on race and gender was prevalent in America, but her talent enabled her to win a scholarship to attend the California College of Arts and Crafts (now known as California College of the Arts) where she earned her BFA.

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Posted on Tuesday, August 6, 2013 by Allison Byers

Next up is Dorothy Santos who will be with us for the next four weeks. A freelance writer, blogger, curator, visual and critical studies geek, Dorothy is currently pursuing a master’s degree at California College of the Arts, where she is researching computational aesthetics, programming, coding, and open source culture and their effects on contemporary art.

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Posted on Thursday, June 6, 2013 by Matthew Harrison Tedford

This is the first installment of what will be an ongoing series of first-person "How I Got to CCA" stories by students and alumni. The following is written by Matthew Harrison Tedford (Visual and Critical Studies 2011).

My first day in San Francisco began at about 6 a.m., when my Greyhound bus crossed the Bay Bridge from Oakland and pulled into the Transbay Terminal. I disembarked, along with all my worldly possessions -- two Army duffel bags, one filled with books, the other filled with clothes and books -- and set out to start my new life on what I remember as a foggy and cold summer morning. I was exhausted from the 12-hour ride, but excited to explore San Francisco, a city I'd visited only briefly in the past.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Machinima! Teorie. Pratiche. Dialoghi
Ludologica, 2013
Paperback, 288 pages, 19 Euros

This collection of essays (in Italian) is edited by Visual and Critical Studies faculty member Matteo Bittanti in collaboration with Stanford University's Henry Lowood. Bittanti also wrote one of the essays. The book has been released in Italy in the ongoing Ludologica book series and features 27 contributions from scholars, artists, and critics on the topic of machinima, digital games, and contemporary art. The book jacket is designed by the new-media artist Mauro Ceolin. Watch the book trailer!

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Posted on Monday, February 4, 2013 by Jim Norrena

The Tribeca Film Institute Filmmaker Programming Team has chosen CCA faculty member Cheryl Dunye as one of 10 finalists for its newest initiative -- the Heineken Affinity Award.

Dunye, a native of Liberia, has directed such feature films as My Baby's Daddy (Miramax), Stranger Inside (HBO Films), and The Watermelon Woman, which was awarded the Teddy Award at the Berlin International Film Festival in 1996.

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Posted on Monday, January 14, 2013 by Jim Norrena

Events are part of the Graduate Studies Symposium

What does narrative mean to architects, artists, critics, designers, scholars, and writers? How can the unfolding of a story communicate, evoke, engage, and captivate audiences?

This exhibition and lecture/performance series explores narrative in a broad range of genres.

Narrative (Inter)actions is a series of performances, lectures, and exhibition that comprise the spring Graduate Studies Symposium at California College of the Arts.

Please join us for these exciting events:

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