The playfulness is plentiful in what Bittanti, a California College of the Arts adjunct professor, and Flaherty, a painter, have created. For one, their website notes that the pieces — not for sale — will be on display at the Concrete Gallery, a virtual space itself. Even the title is an allusion to an option on Google’s online map.
Posted on Wednesday, January 22, 2014 by Laura Braun
Posted on Tuesday, December 3, 2013 by Lindsey Westbrook
Concrete Press, 2013
Hardcover, 100 pages, $122.86
CARJACKED is a counter-appropriation of the BMW Art Car initiative, developed within the virtual spaces of the popular Forza Motorsport video game. This limited edition book provides a visual and critical documentation of CARJACKED, a project developed in 2012 by COLL.EO (the artist Colleen Flaherty and Visual Studies faculty member Matteo Bittanti.
The book features contributions and essays from Isabelle Arvers and Jeffrey T. Schnapp and a long conversation between COLL.EO and Carlo Ricafort.
Posted on Monday, November 11, 2013 by Lindsey Westbrook
Smaller Than Life
Concrete Press, 2013
Hardcover, 80 pages, $57.99
Operating in the hybrid zone between sculpture, craft, miniature making, and conceptual art, Visual Studies faculty member Matteo Bittanti creates seven self-portraits that simultaneously appropriate and reconfigure a peculiar medium: die-cast model cars. This limited-edition book features photographs by the artist Colleen Flaherty and a long conversation between Bittanti and the Bay Area artist Juan Carlos Quintana.
Posted on Friday, August 30, 2013 by Chris Bliss
New Tenure-Track Faculty
Joining the Visual Studies Program is Makeda Best, who comes to CCA from the University of Vermont. Her research focuses on the history of photography, with an emphasis on the nineteenth century.
Neeraj Bhatia is teaching in the Architecture Program. His work looks at the intersection of politics, infrastructure, and urbanism, and he has previously taught at Rice University, Cornell University, the University of Toronto, and the University of Waterloo.
The Interaction Design Program welcomes Haakon Faste, who has worked for 15 years in the fields of visual art, interaction design, and virtual reality. Most recently he was on the faculty of the Human-Computer Interaction Institute at Carnegie Mellon University.
Chris Treggiari is this year’s scholar in residence at the Center for Art and Public Life. Much of his work involves collaborations, often with local nonprofits, often with mobile stages that he brings to public events.
Posted on Friday, August 23, 2013 by Claire Fitzsimmons
Aimee Le Duc (center) with artists Jenifer Wofford and Stephanie Syjuco at the SFAC’s Passport 2012 event
The San Francisco-based curator, writer, and arts administrator Aimee Le Duc (MA Visual Criticism 2003, MFA Writing 2004) resists the concept of the curator-as-itinerant-worker, traipsing around the world, dropping in and out of various local situations.
Rather, you might call her a homegrown talent, with deep roots in a particular place. CCA, the San Francisco arts community, and the city itself have shaped her and her career. And now Le Duc sees her role as galleries manager at the San Francisco Arts Commission essentially as giving back.
"I feel very, very lucky. I've got a network that I use every day, and it includes many teachers and peers I first met at CCA. This network has sustained me, and I now see my role as sustaining it."
Posted on Monday, July 8, 2013 by Rachel Walther
An "elective" at art school is in many ways the opposite of what the term means for a traditional university student. Rather than taking a painting class for fun in between economics and political science, art students have to decide what math class to fit in between their painting courses.
All undergraduates at CCA (except Architecture majors) are required to take 51 units of Humanities and Sciences coursework, which by the time they graduate ends up representing about a third of their total units.
All of these courses are highly rigorous. Some are essential and required (for instance writing and art history) but many are creatively designed electives open to students in all majors. In "Bad Science at the Movies," for instance, professor Christine Metzger uses preposterous representations of geology and climate change in popular films to launch an in-depth survey of environmental science.
Posted on Tuesday, June 4, 2013 by Lindsey Westbrook
Modern Print Activism in the United States
Hardcover, 270 pages, $99.95
Director of Humanities and Sciences Rachel Schreiber edits this book devoted to the explosion of socially and politically activist print culture that occurred in the United States at the turn of the 20th century. These essays focus on specific groups, individuals, and causes that relied on print as a vehicle for activism. They also take up the variety of print forms in which calls for activism have appeared, including fiction, editorials, letters to the editor, graphic satire, and non-periodical media such as pamphlets and calendars.
Posted on Sunday, May 26, 2013 by Jim Norrena
What exactly is the connection between art and science?
CCA's division of humanities and sciences has developed a thoroughly interdisciplinary, two-year thematic curricular project called Exploring Science in the Studio to keep this question on the minds of undergraduates, as they consider courses that satisfy their science requirements.
Posted on Monday, January 14, 2013 by Jim Norrena
Events are part of the Graduate Studies Symposium
What does narrative mean to architects, artists, critics, designers, scholars, and writers? How can the unfolding of a story communicate, evoke, engage, and captivate audiences?
This exhibition and lecture/performance series explores narrative in a broad range of genres.
Narrative (Inter)actions is a series of performances, lectures, and exhibition that comprise the spring Graduate Studies Symposium at California College of the Arts.
Please join us for these exciting events:
Posted on Sunday, January 6, 2013 by Lindsey Westbrook
West Coast Modern: Architecture, Interiors & Design
Gibbs Smith, 2012
Hardcover, 248 pages, $50
Zahid Sardar (Visual Studies faculty) describes how architects and designers are breaking new ground on the West Coast, incorporating tested ideas with modern technologies, materials, and concepts in thrilling and sustainable designs. This collection of more than 25 inspiring residences by such renowned western architects and interior designers as Ricardo and Victor Legorreta, Tom Kundig, Jim Jennings, Steven Ehrlich, Marmol Radziner, Aidlin Darling, Paul Wiseman, Terry Hunziker, and Gary Hutton showcases large and small homes that respond to the deserts, mountains, plains, and coastlines of the West. The sculptural forms and elegant interiors are at once both urban and rural, open to the outdoors, and always contemporary, comfortable, and stylish.
Zahid Sardar is a San Francisco editor and writer specializing in architecture, interiors, and design. His work has appeared in Dwell, Interiors, Interior Design, California Home & Design, Elle Décor, House Beautiful, and the San Francisco Chronicle. He has written several books, including San Francisco Modern and New Garden Design.