Denise Newman (San Francisco, California) is recommended for a grant of $12,500 to support the translation from Danish of a collection of short stories, Baboon, by Danish author Naja Marie Aidt.
Posted on Tuesday, July 30, 2013 by Laura Braun
Posted on Friday, July 19, 2013 by Lindsey Westbrook
JackLeg Press, 2013
Paperback, 80 pages, $13
These are poems of rot and salt, dragonflies and kinked reeds, where the world is always with us -- raw and omnipresent, beautiful and terrible. Here poems navigate physical and metaphysical landscapes, embodying experience and a world both awful and awe-full: 'when the mind / has grown plumes delicate / as tubeworms in the driftwood / in the sponge and scarlet / blood star tough as tongues / as the sea whip clicking.'
Posted on Monday, July 8, 2013 by Rachel Walther
An "elective" at art school is in many ways the opposite of what the term means for a traditional university student. Rather than taking a painting class for fun in between economics and political science, art students have to decide what math class to fit in between their painting courses.
All undergraduates at CCA (except Architecture majors) are required to take 51 units of Humanities and Sciences coursework, which by the time they graduate ends up representing about a third of their total units.
All of these courses are highly rigorous. Some are essential and required (for instance writing and art history) but many are creatively designed electives open to students in all majors. In "Bad Science at the Movies," for instance, professor Christine Metzger uses preposterous representations of geology and climate change in popular films to launch an in-depth survey of environmental science.
Posted on Wednesday, July 3, 2013 by Allison Byers
Having just last month started a new monthly backdoor reading series, recent California College of the Arts MFAers Crys Lehman and Leonard Crosby host a quadforce of talent for June's One Lone Pear Tree: Miquila Alejandre, Phil Lumsden, Juliana Paslay, and Melissa Kuhn.
Posted on Friday, June 21, 2013 by Jim Norrena
A new guest lecture series presented by MFA in Comics!
In celebration of the arrival of the inaugural MFA in Comics class, California College of the Arts will host "Comics in the City," a summer guest speaker series featuring four of the most talented creators in comics today.
Each Friday in July, the speaker series will highlight various aspects of the comics medium -- from independent publishing to the craft of writing the most iconic superheroes.
Posted on Tuesday, April 23, 2013 by Jim Norrena
The Will Eisner Comic Industry Awards are heralded as the "Oscars of the comics industry." This month CCA's MFA in Comics and Writing and Literature faculty member Justin Hall received an Eisner Award nomination for No Straight Lines: Four Decades of Queer Comics (Fantagraphics Books, 2013), which he edited.
The publication is nominated in the Best Anthology category. (The publisher, Fantagraphics Books, is the leading publisher with 24 Eisner Award nominations.)
"I'm thrilled to have received an Eisner Award nomination for No Straight Lines," exclaimed Hall. "The Eisners are the most important awards in the American comics industry, and this is a dream come true for me!"
Posted on Thursday, March 21, 2013 by Allison Byers
I was moved by Yu Hua’s personal views on copyright violations, an issue that affects writers throughout the world. I was touched especially because this term I am teaching one of his novels (“To Live”) in one of my literature seminars.
Posted on Wednesday, February 27, 2013 by Jim Norrena
Posted on Wednesday, February 20, 2013 by Jim Norrena
Ishmael Reed is an internationally renowned, award-winning novelist, poet, playwright, and essayist with more than 25 published books and six plays to his credit.
He's also a visiting scholar in the MFA Program in Writing at California College of the Arts.
Recently, his article "Neo-Classical Republicanism" was published in the New York Times in the Opinion Pages section:
Posted on Monday, January 14, 2013 by Jim Norrena
Events are part of the Graduate Studies Symposium
What does narrative mean to architects, artists, critics, designers, scholars, and writers? How can the unfolding of a story communicate, evoke, engage, and captivate audiences?
This exhibition and lecture/performance series explores narrative in a broad range of genres.
Narrative (Inter)actions is a series of performances, lectures, and exhibition that comprise the spring Graduate Studies Symposium at California College of the Arts.
Please join us for these exciting events: