Goodwin did not get her butt of sack, and she hasn't been given an honorarium, either. Nobody has mentioned gas money. She has two daughters, Naomi and Izzy. Her husband, Nick, is a plumber, and she scratches out a living teaching night classes at Stanford and day classes at California College of the Arts, in San Francisco and Oakland.
Posted on Monday, November 25, 2013 by Allison Byers
Posted on Monday, November 11, 2013 by Lindsey Westbrook
Tia Chucha, 2013
Paperback, 80 pages, $14.95
4-Headed Woman by Writing faculty member Opal Palmer Adisa is a journey into and through womanhood, from preadolescence through menopause, and an exploration of women’s relations with one another. The poems employ female domestic imagery to name different types of breads found throughout the world, from coconut to pita. The poems in the second section focus specifically on menses, weaving together biological, folk, and cultural aspects in a humorous tone. The third section, "Graffiti Poem," comprises poems centered around college restrooms, which Adisa sees as a site of communication for students on a wide variety of social-sexual issues.
Posted on Wednesday, October 9, 2013 by David Morini
Once approved, her position will take a two-year term, from January 2014 to December 2015. A committee of San Mateo County supervisors chose Goodwin out of a pool of 15 nominations.
Posted on Tuesday, October 1, 2013 by Jim Norrena
Tom Barbash at Mrs. Dalloway's Books in Berkeley for a reading from "Stay Up With Me"
His recent effort, however, a recently published collection of short stories, titled Stay Up With Me (Ecco/HarperCollins), puts him among some of the most celebrated writers of the day.
Barbash, who wrote the novel The Last Good Chance and the bestselling nonfiction work On Top of the World: Cantor Fitzgerald, Howard Lutnick & 9/11: A Story of Loss & Renewal, has also had his fiction appear in Tin House magazine, The Virginia Quarterly Review, and The Indiana Review, among other publications.
He is no stranger to seeing his words in print.
Posted on Tuesday, September 24, 2013 by Lindsey Westbrook
Minnows: A Shattered Novel
Journal of Experimental Fiction Press / Depth Charge Publishing, 2013
Paperback, 320 pages, $17
Jønathan Lyons (MFA Writing 2005) wrote this book about a child and his younger brother, who get out of school for the summer and have their world come crashing down around them, shards raining across the text. Creating this work of experimental fiction involved cutting up and rearranging blocks and columns of text, hanging them on walls throughout Lyons's basement, and then striving to bring this exploded narrative into a coherent whole.
Lyons lives and writes in Central Pennsylvania. He teaches writing and literature at Bucknell University. His writing has appeared in the Journal of Experimental Fiction, Hotel Amerika, Exquisite Corpse, and elsewhere.
Posted on Tuesday, September 24, 2013 by Lindsey Westbrook
Star 82 Review issues 2 and 3
CreateSpace Independent Publishing Platform, 2013
Paperback, 44 pages, $9.95
In the spirit of summer travel, the second issue of Star 82 Review, an online and print art and literature magazine edited by Printmaking faculty member Alisa Golden, features personal essays, poems, and stories that revolve around planes, trains, and automobiles. Layered and worthy of multiple readings, these pieces deal with parents and children, dreams and daydreams, life-cycle events and life in general. A special feature is a page from Tom Phillips's A Humument app.
Contributors with CCA connection this issue: Zack Rogow, former MFA Program in Writing faculty.
Posted on Wednesday, September 11, 2013 by Allison Byers
Barbash has published two books previously: the award-winning novel The Last Good Chance, based on the years he spent reporting in upstate New York, and the New York Times bestseller On Top of the World: Cantor Fitzgerald, Howard Lutnick, and 9/11, a nonfiction account of the revival of the financial services firm after it lost nearly seven hundred employees in the Twin Towers. He teaches in the MFA program at California College of the Arts and lives in Marin County, Calif.
Posted on Tuesday, September 10, 2013 by Lindsey Westbrook
Stay Up With Me
Hardcover, 224 pages, $22.99
The stories in this collection by MFA in Writing faculty member Tom Barbash explore characters reacting to the chaos and consequences of their everyday lives, from fractured relationships to the loss of a loved one and instant regret. The newly single mother in "The Break" interferes in her son's love life over his Christmas vacation from college. The anxious young man in "Balloon Night" persists in hosting his and his wife's annual watch-the-Macy's-Thanksgiving-Day-Parade-floats-be-inflated party while trying to keep the myth of his marriage equally afloat. "Somebody's Son" tells the story of a young man guiltily conning an elderly couple out of their home in the Adirondacks. And the narrator in "The Women" watches his widowed father become the toast of Manhattan's midlife dating scene, as he struggles to find his own footing in life.
Posted on Thursday, September 5, 2013 by Allison Byers
Cheryl Dunye is an award-winning filmmaker and native of Liberia whose work as a queer black cinema artist attempts to provide visibility to disenfranchised identities and bring the most marginalized of our society to the center. She has five feature films under her belt and currently works as an Associate Professor of Film, Diversity Studies, and the Graduate Writing Programs at California College of the Arts.
Posted on Friday, August 23, 2013 by Claire Fitzsimmons
Aimee Le Duc (center) with artists Jenifer Wofford and Stephanie Syjuco at the SFAC’s Passport 2012 event
The San Francisco-based curator, writer, and arts administrator Aimee Le Duc (MA Visual Criticism 2003, MFA Writing 2004) resists the concept of the curator-as-itinerant-worker, traipsing around the world, dropping in and out of various local situations.
Rather, you might call her a homegrown talent, with deep roots in a particular place. CCA, the San Francisco arts community, and the city itself have shaped her and her career. And now Le Duc sees her role as galleries manager at the San Francisco Arts Commission essentially as giving back.
"I feel very, very lucky. I've got a network that I use every day, and it includes many teachers and peers I first met at CCA. This network has sustained me, and I now see my role as sustaining it."