Newsroom

Artforum shares more about Daisy Nam's previous role at Ballroom Marfa, where she has worked as a curator since 2020 and as director since 2022.

CCA has named Daisy Nam the new director and chief curator of the school’s Wattis Institute for Contemporary Arts museum.

Orbital by Jason Kelly Johnson and Nataly Gattegno, both professors of Architecture, represents an era of rapid change and uncertainty, while also inspiring curiosity and playful interaction.

Navin Norling (BFA Illustration 1995) adds texture to his white walls with his grandfather's heirloom farm tools, representing a piece of the Norling family history and identity.

Rodrigo Hernández’s show is a series of maze-like walls and enclosures with hand-hammered steel and sculptures, evoking the viewer to feel like they are just another animal in this dreamlike atmosphere.

City leaders in the arts come together to welcome and celebrate President Howse at Villa Taverna in San Francisco. Nob Hill Gazette showcases some highlights and photos from the event.

Neeraj Bhatia, associate professor of Architecture, explores what it means for architecture to be radical. He underlines the need for design to impact community, policy, and environment.

Architecture alum Mariah Nielson celebrates her father's legacy with a series of exhibitions, starting with 100 Hooks. The show reflects the breadth, playfulness and surprise that defined Blunk's practice.

Dezeen spotlights CCA student projects ranging from digital submarine habitats for oysters and fish to a pavilion that can be used for yoga or meditation.

How to Have an American Baby is a voyage into Chinese tourists traveling to the U.S. to give birth for citizenship. A hidden global economy emerges, depicting the fortunes and tragedies to people caught in its web.

What's one thing you know to be true in this world? MFA student Cole Ryder gathers hundred of answers by posting flyers around the city encouraging people to call the New Earth Hotline.

Square Cylinder profiles CCA faculty Nathan Lynch, highlighting his arts background and upbringing, the evolution of his artistic expression, and the humor behind his sculptures.

According to California.com, CCA is a premier art and design school that fosters a community of creative thinkers and innovators.

Catherine Clark Gallery showcases Arleene Correa Valencia's (MFA Fine Arts 2020) exhibit, Naces Así, Naces Prieto. No Naces Blanco, inspired by letters exchanged with her father during their separation.

San Francisco Chronicle introduces David C. Howse as CCA's new president, highlighting his arts background, future prospects, campus expansion, and more.

KQED emphasizes David C. Howse’s past achievements like securing over $40 million in fundraising for Boston’s Emerson College and his personal background in music.

Boston Globe highlights David C. Howse's successful tenure at Emerson College and his new position as president at CCA.

With the exhibition Orquídeas, Professor Marcel Pardo Ariza creates a sense of solidarity, community, and celebration in real time on Capp Street for trans and queer people.

Juxtapoz spotlights Associate Professor of Film Alison O'Daniel's The Tuba Thieves as well as CCA's upcoming campus expansion, with an enviable, open architecture, designed with flexible spaces.

Ana Jotta’s solo show at The Wattis Institute for Contemporary Arts features an eclectic ensemble of works from various points in her career.