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Posted on Monday, October 6, 2008 by Brenda Tucker

Linda Geary (middle), Painting/Drawing faculty, works with students during critique

As part of CCA's Painting/Drawing studio course, faculty member Linda Geary traveled with students to New York for three weeks during June/July. The goal? To take advantage of the New York Studio Program, which moved to DUMBO (a real-estate term that denotes Down Under the Manhattan Bridge Overpass).

Students not only toured the city's seemingly endless art collections but also visited with established resident artists, often in the artists' glamorous studios.

The designated 10-block DUMBO district is flanked by the Fulton Ferry and Vinegar Hill neighborhoods and lends dramatic views of Manhattan. The locale is populated with artist-focused real estate projects such as arts organizations and studios. It is an area steeped in creative and artistic expression, and its influx of world-class visual and performing artists offers a particular vitality that has made it the fastest-growing neighborhood in New York.

During the three-week residency, each student was provided with a spacious and beautiful studio in which to work independently. The focus of the class was not only to engage with the work of established artists but also to develop a body of work. Such studio visits generated excitement among the students, as evidenced by their often late-night hours. Weekly group critiques also contributed to their momentum to create new work.

While students were reaping the rewards of this artists' haven, Olafur Eliasson created and installed his New York City Waterfalls, which made their proximity to the Brooklyn Bridge that much more exciting.

Outside of class or critique, Painting/Drawing faculty member and artist Linda Geary led her students around Manhattan, Brooklyn, and Long Island to showcase work and pick the brains of practicing local artists. Through personal exchanges students learned about how their practices have changed over time as well as how living and working in the internationally acclaimed New York art world informs their practice.

Students also took advantage of New York's tremendous cultural offerings, from museums and galleries (such as the Whitney Museum of American Art, the Morgan Library and Museum, and the Frick ) to actual studio visits with such acclaimed artists as Polly Apfelbaum, CCA alum Jules De Balincourt, Rachel Hayes, Jim Hodges, Raj Kahlon, Jonathan Lasker, Elisa Lendvay, Mary Meyer, Stephen Mueller, Eric Sall, James Siena, and Laurel Voss.

For information regarding Linda Geary's summer 2009 New York studio course, please contact the Office of Special Programs at 510.594.3773.

About Linda Geary
Geary has exhibited recently at Pulliam Deffenbaugh Gallery, Portland, Oregon; HP Garcia Gallery, New York; and Rena Bransten Gallery, San Francisco (reviewed in ArtForum, February 2007). She also was a resident at Art Omi, New York, in 2007. Geary is the recipient of an Elizabeth Foundation for the Arts grant and the Pollock-Krasner Award.

Read Linda Geary's complete bio.
Learn more about CCA's Painting/Drawing Program.

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Posted on Friday, October 3, 2008 by Jim Norrena

Director Wayne Wang filming A Thousand Years of Good Prayers (Photo courtesy of Magnolia Pictures.)

(Yiyun Li will speak at CCA as part of the MFA Writers' Series on November 21 at 3:30 p.m. in the Writers' Studio.)

In a recent interview with CCA alum and celebrated writer/director/producer Wayne Wang (The Center of the World, The Joy Luck Club, Smoke), who has been making films for the past 30 years (starting when still a student at CCA) and who has remarkable influence on aspiring Asian filmmakers, he discussed his recent departure from Hollywood big films to focus more on smaller, independent films:

"I got on this treadmill of studio movies and I had fun, made a lot of good money, but I was having a hard time getting off of it so I sort of consciously just got off and said, 'How can I go back to some of my own films, independent films dealing with the Chinese in America again?' I found first of all one of the big changes with the Chinese community here is that there are a lot more new immigrants from China, and second, I found Yiyun Li's book, A Thousand Years of Good Prayers. There were two stories that I really liked in there, so I ended up . . . making two films." (Read the full interview with Wayne Wang.)

Two stories indeed. "A Thousand Years of Good Prayers" and "The Princess of Nebraska" are each featured in Li's award-winning collection of short stories, A Thousand Years of Good Prayers, which impressed Wang.

Oakland-based Yiyun Li's debut collection of short stories won the Frank O'Connor International Short Story Award, PEN/Hemingway Award, Guardian First Book Award, and California Book Award for first fiction. She was recently selected by Granta as one of the Best Young American Novelists.

Li grew up in Beijing and came to the United States in 1996. Her stories and essays have been published in The New Yorker, The Paris Review, Zoetrope: All-Story, Ploughshares, The Gettysburg Review, Glimmer Train, Prospect, and elsewhere. She has received grants and awards from Lannan Foundation and Whiting Foundation.

So it's not so surprising that a director as talented as Wang would recognize talent in a writer like Li.

Li was able to work extensively on the screenplay for Thousand Prayers (Magnolia Pictures); however, she was knee-deep working on her first full-length novel, and thus less involved in the film production of "The Princess of Alaska," which Wang codirected with Richard Wong under the same title.

The films had a back-to-back screening (as a single feature) at the 2008 Toronto Film Festival. Then Thousand Prayers opened the 2008 International Asian Film Festival. But it was only recently that Thousand Prayers had its theatrical release opening at the Lincoln Plaza Cinemas in New York September 19. (Interestingly, in France the two films were released simultaneously with theater venues offering viewers a choice of either or both.)

However, nowadays when a film releases is less intriguing as how it releases: on October 17 YouTube's Screening Room will air the U.S. premiere of The Princess of Nebraska, also from Magnolia Pictures. (Watch the exclusive YouTube Princess of Nebraska trailer.)

Much like the subject matter of either short story, Wang hopes the innovative release strategy will serve multiple audiences, thus uniting different generations and cultures—be it symbolically or otherwise.

"A Thousand Years of Good Prayers is classical and is being distributed classically," Wong says. "It's about an older generation. The Princess of Nebraska is about a new generation. It's shot in a very contemporary way. It was very guerrilla style, and we used a lot of cell phone stuff, and it made sense for [the film] to go to the Internet." (Listen to the complete NPR interview. Approximately five minutes.)

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Posted on Tuesday, September 30, 2008 by Brenda Tucker

CCA's undergraduate and graduate Chair and Director of Architecture Ila Berman sits with world-reknowned architect Renzo Piano

On September 26, 2008, architecture students from UC Berkeley and California College of the Arts attended a special lecture that featured internationally lauded architect Renzo Piano, the Pritzker Architecture Prize Laureate and 2008 American Institute of Architecture (AIA) Gold Medal recipient who has been heralded by Time magazine as one of the 100 most influential people.

In 1971 Piano joined with Sir Richard Rogers to form the Piano and Rogers Agency. The agency went on to collaborate on Paris's Centre Pompidou project, which brought the two designers international acclaim.

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Posted on Tuesday, September 30, 2008 by Sarah Owens

Chaliff Dance (read my letter and dance my words) in collaboration with Farley Gwazda, digital video, 2007

Recent alumna Dina Danish (MFA 2008) is one of 12 international artists selected for an artist residency at the prestigious Rijksakademie van Beeldende Kunsten (Royal Academy of Visual Arts) in Amsterdam, an internationally renowned two-year residency for visual artists.

Danish's application process required several selection rounds, including on-site interviews with committee members. The interview process reduced the applicant pool from 1,500 applicants to 38, and then again down to the final 12 international and 12 Dutch recipients.

The candidates were evaluated based on the quality of their work and their potential to develop and grow. At 26, Danish is three years younger than the average awardee.

As a resident artist, Danish will receive a budget to work in her own studio for a one-year period from January through December. During that time she will participate in workshops and work among other international artists who are pursuing painting, drawing, photography, printmaking, sculpture, video, film, sound, and computer art.

Danish is thrilled to have the opportunity to study and practice in an international setting, and to collaborate with the other artists and advisors.

Danish also holds a BA from the American University of Cairo.

View Danish's work online.

Visit the Rijksakademie website for additional information.

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Posted on Tuesday, September 16, 2008 by Jim Norrena

Eleven Eleven, volume 5, is CCA's annual journal of literature and art

On September 15, 2008, the fifth volume of Eleven Eleven, the annual journal of literature and art at California College of the Arts, became available to booksellers through Small Press Distribution.

The journal also can be ordered directly by emailing eleveneleven@cca.edu.

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Posted on Tuesday, September 16, 2008 by Jim Norrena

Student-designed lampshades will be auctioned at the gala
(photo by Zakary Zide)

Heads turned Wednesday, September 17, 2008, when Gump's—a purveyor of fine arts and crafts—hosted an over-the-top arts benefit: Made in the Shade. The gala paved the way for Gump's to give back to artists, with proceeds benefiting CCA in the form of an endowed scholarship.

Made in the Shade featured a silent auction where attendees could bid on custom-designed lampshades. While that in and of itself is a glowing idea, it gets brighter: several of the lampshades were designed by CCA students. Yet what's absolutely brilliant is that in order to illuminate the designs, models wore the one-of-kind lampshades atop their heads while on the catwalk! (Yes, it takes . . . gumption to pull off the old lampshade-on-the-head routine!)

Even if you didn't make the gala, you can continue to bid on 10 lampshades by visiting Clothes Off Your Back, but only until Friday, September 26. Don't miss your chance to wear a custom-designed lampshade on your head (or not) and help support the CCA scholarship that Gump's has so generously extended.

Several of the CCA participants were on hand mixing and mingling with supporters and answering questions about their designs.

Made in the Shade was an illuminating and inspired evening of high fashion (literally!) where once again those who wore the lampshades on their heads were the life of the party. The benefit gala was all in the name of art—only at this gala the familiar name was Gump's.

Event details:

Gump's San Francisco at 135 Post Street
Event starts at 6 p.m. (with cocktails & hors d'oeuvres)
Silent auction begins (ends at 9 p.m.)
Fashion show and live auction begin at 8 p.m.
Cost: $100 per ticket

For questions, please call Carmen Roberson at 415.984.9297.

CCA Participants

Kim Anno, Curtis Arima, Kelly Ball, David Cole, Jack da Silva, Marilyn da Silva, John de Fazio, Mark Eanes, Sally Elesby, Tony Esola, Chris Finley, Linda Geary, Camellia George, James Gobel, Katie Lewis, Deborah Lozier, Nathan Lynch, Nate Mahoney, Kari Marboe, KC Rosenberg, Marta Salas-Porras, Bryan Keith Thomas, Mariana Tocornal, Chano Uribe, Alison Yates, Zakary Zide, John Zurier

Remember, ask not what your lampshade can do for you, but rather what you can do with your lampshade.


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Posted on Monday, September 15, 2008 by Brenda Tucker

Nick DeMarco's XS Chair is called out in the New York Times

CCA stole the show with innovative furniture as one of four design schools selected to exhibit work at the 2008 International Contemporary Furniture Fair (ICFF) in New York this past May.

With over 25,000 attendees, ICFF is one of the world's most prestigious design events and the premier showcase for contemporary design in North America.

Each year ICFF invites the world's leading design schools to participate in an industry leader–juried competition. This year's other selected design schools were Savannah College of Art and Design, the School of Visual Arts, and Yale University.

Nick DeMarco's XS Chair received special attention in the New York Times (also pictured in several links below).

The New York Times, I.D. magazine, Inhabitat, treehugger.com, and Home Furnishing News magazine, and other established media sources covered the 2008 ICFF.

Both the Furniture and Industrial Design programs were presented at the CCA booth. The Furniture project represented the outcomes of the Bevara Design House / Walmart.com–sponsored studio that was run by faculty member Oblio Jenkins in the fall 2007 semester. That interdisciplinary furniture studio addressed the theme "sustainable design for mass production."

After researching the complex issues associated with sustainability and the wide range of locally available production technologies, students worked with Bevara Design House and Wal-Mart to develop relevant designs with market potential.

CCA's Industrial Design Program coordinated two projects, which also were featured at the booth: Glass+, a collaboration with the Glass Program, and the Kitchen Sink, a joint effort with the Ceramics Program.

The students worked individually and in teams to design and develop a wide range of products for the home, from cocktail sets to kitchen sinks, using such real-world production techniques as blow-molded glass and slip-cast ceramics.

For more information, visit ICFF online.

Related links:

The New York Times
I.D. magazine
Home Furnishing News magazine

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Posted on Friday, September 5, 2008 by Chris Bliss

Hank Dunlop is an associate professor in the Interior Design and Visual Studies programs

Hank Dunlop, associate professor in Interior Design and Visual Studies, will receive the Leadership Award of Excellence from the International Interior Design Association (IIDA) on September 23 in San Francisco. He will be honored for his many contributions to IIDA and for elevating the profession through his leadership in design and education.

Dunlop has been working in the field of design preservation and restoration since the 1960s. He is noted for his expertise in California interiors of the 19th and early 20th centuries and has worked on some of the most historically significant sites in California.

From 2002–6 Dunlop served as historic interiors consultant on the restoration of the award-winning Leland Stanford Mansion State Historic Park in Sacramento. Other California-based projects include the Sanchez Adobe in Pacifica, the Bidwell Mansion State Historic Park in Chico, and the James Johnson House in Half Moon Bay.

Dunlop is currently working on the Larkin House—State Historic Park Monterey, originally the home and business of Thomas Oliver Larkin, the first and only U.S. consul to Alta California (upper California) under Mexican rule; and the David Glass House in San Ramon. Also on tap is a return to the Antonio Peralta House (a.k.a. Peralta Grant) in Oakland, where he will continue work started several years ago.

Dunlop also is a principal at Hank Dunlop and Associates, a consulting firm that specializes in interior and architectural history, restoration, and property development. Prior to starting his firm, he served as associate and senior project manager at Gensler from 1969–79.

Teaching has been an important part of Dunlop's life for 30 years. In 1978 he was offered positions at California College of the Arts and San Jose State University. The choice was easy for him: "I could see that CCA was a school where I could affect change."

In 1981 he was appointed chair of the Interior Design Program, leading the first FIDER accreditation effort. Among his published articles is "Living with Antiques, the Brune-Reutlinger House, San Francisco," which appeared in the August 2005 issue of Magazine Antiques.

Dunlop also has studied at the Winterthur Institute in Delaware; the Attingham Trust in London; the Victorian Society in America's Summer Schools in Newport, RI; and the West Dean College Conservation Symposium on architecture. He holds a bachelor of science from the University of Oregon, School of Architecture, where he majored in interior architecture.

With such a long and distinguished career, Hank has much cause to be proud of his IIDA award. When asked what he finds most rewarding in life, he answers, "the experience [of] teaching and working with so many students as they grow into professional designers."

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Posted on Thursday, August 28, 2008 by Brenda Tucker

CCA student (Graphic Design) and Olympic bronze medal champion Jill Kintner

Another Bronze Age? It is for CCA—

Jill Kintner (Graphic Design) knows better than most the truth behind the old adage "All that glitters is not gold." In fact, she'll tell you bronze—particularly Olympic bronze—also has the substance of true championship.

In the first-ever bicycle motocross (BMX) racing event at the 2008 Beijing Summer Olympics last week, Kintner medaled bronze in the women's race. Additionally, she was the only qualifying American woman, which is not surprising considering by age 21 she was the American Bicycle Association (ABA) BMX World Champion.

In fact, the Beijing Olympics was the last remaining major biking event in which Kintner had yet to compete; she has won every title in 4-cross mountain biking, and all major titles in BMX racing.

Yet despite a history of toggling BMX and mountain bike racing, in which she also held a world title in 2007 before committing herself to attaining an Olympic medal in Beijing, Kintner's multifaceted competitive nature runs pure as gold.

Growing up with a bike track down the street, it was easy for 8-year-old Kintner and her brother to take up the sport together. She started competing professionally at 14. Now 26, she is an Olympic champion.

During a break from her BMX and mountain-biking career, Kintner applied to CCA to pursue a BFA in graphic design. However, at the time her passion to wear a medal was stronger than her desire to design one, so she picked up her BMX bike and literally went for gold in Beijing. (Kintner is registered to return to CCA this fall.)

Where will one next find Kintner? She splits her time between her native Seattle and Australia, where she shares a home with boyfriend Bryn Atkinson (a former mountain bike team member).

To view Kintner's art, visit her self-designed website: www.jillkintner.com.

To read additional coverage of this remarkable athlete-designer, visit the NBC Olympic athlete bio for Jill Kintner.

All photos (c) Justin Kosman / Red Bull Photofiles.

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Posted on Monday, August 18, 2008 by Jim Norrena

Meet three inspiring CCA artists who collaborated at this past weekend's American Craft Show at Fort Mason:

Kari Marboe (Ceramics 2008) is codirector of mg gallery, a contemporary art gallery in Oakland
Adam Green (Glass) is codirector of mg gallery
Clare Beilby (Ceramics) also is acting president of the Ceramics Guild at CCA and assistant to the studio manager within the Ceramics department

On August 15-16 these artists put together the Interactive Tile Making (a four-square game) demonstration on behalf of CCA at this year's American Craft Show at Fort Mason.

See images of the fired four-square court, a collaboration of artists in action.

As participants played, their movements made indentations in the unfired clay slabs that made up the court. One man even bent down to put his fingerprint in the clay!

The group would like to acknowledge the following for their support and encouragement:

Nathan Lynch
Mark Takiguchi
Monica Hampton
Tony Annino

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