During class, CCA film students in film cage establish camera angles, staging, and lighting

MFAFilm

Develop your vision in a film program that goes beyond training and convention.

Overview

Make an impact on the future of cinema

The MFA Film program prepares you to create and thrive in the rapidly changing landscape of contemporary film and cinematic arts. Our unique multidisciplinary culture provides the ideal conditions for exploring the themes and topics you care about from many perspectives, including artist, director, craftsperson, or entrepreneur. With the mentorship of our award-winning faculty, you’ll strengthen your conceptual capabilities, refine your working methods, and expand your understanding of the moving image. Like CCA Film on Facebook for the latest updates.

Explore Film

@ccafilm
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Dec. 1, 2021

The Fall semester is headed to an end, but we have one final installment of Voices in Moving Image for you tonight over Zoom, December 1 from 5-7PM.
[link in bio]

Tonight's discussion is with visiting artist Zack Khalil Brooklyn, NY filmmaker and artist originally from Sault Ste. Marie, Michigan

His work centers indigenous narratives in the present—and looks towards the future—through the use of innovative nonfiction forms. He is a core contributor to New Red Order, a public-secret society which calls attraction toward indigeneity into question, yet promotes this desire, and enjoins potential non-Indigenous accomplices to participate in the co-examination and expansion of Indigenous agency.

His work has been exhibited at Artists Space, Haus der Kulturen der Welt Berlin, Museum of Contemporary Art Detroit, Museum of Modern Art, Whitney Museum of American Art, Lincoln Center, Walker Arts Center, New York Film Festival, and the Sundance Film Festival among other institutions. Khalil is the recipient of various fellowships and grants, including the Jerome Hill Artist Fellowship, Sundance Art of Nonfiction Grant, and Gates Millennium Scholarship. Khalil received his BA from Bard College.

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Nov. 30, 2021

As promised, the first episode of our new film gear series, "Gear Stuff," is here!

In this episode, Ran Xin, BFA Film senior, talks about his favorite cinema camera build under $5,000 USD. All the gear he talks about is linked in the YouTube video description [link in bio]. In January, Ran will be back to discuss the additions he has made to strengthen his build, including an external monitor, battery life solution, follow focus setup, and more.

Don't forget to like and subscribe to our YouTube channel [link in bio] so you never miss an episode!

If you love film gear and want to talk about it, we would love to have you for an episode of Gear Stuff. Email Michael, MFA Film student, at [email protected] for more info.

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Nov. 24, 2021

Free stickers!
The Film Cage will be closed 11.25 & 11.26, but you can stop by today before 2pm or next week for a super duper sticker (while they last)!
Made by the extraordinary BFA Film student @amberkaelie

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Nov. 17, 2021

Today at 5PM PST, artist @jillmagid joins us for Voices in Moving Image. See you there on Zoom! [link in bio]

In her director statement, Jill writes: "As a visual artist and writer, I use my work to create new perspectives to long-established structures of power in society.

During the past eighteen years, I’ve trained as a spy, a police officer, and as a war journalist. Gaining access to power systems takes research, trust, and a series of unorthodox requests, requiring constant negotiation. From the inside, I engage these systems in personal dialogue. From there, I’m able to raise questions and concerns on how we live in relation to them."

Studios & Shops

Explore a range of filmmaking modes and production methods

BFA Film student works on audio and sound correction in post-production film studio

Our facilities support a wide range of filmmaking modes and production methods, from experimental and improvisational techniques to more formal narrative, documentary, and hybrid models. Graduate students have 24-hour access to film studios, editing suites, and a sound mixing room.

CCA Film students review a script during an acting and performance class

Multidisciplinary experiences

As an MFA Film student, you’ll enhance your studio practice through coursework in cinema history and theory. Taught by experts in filmmaking and critical studies, these courses push you to see your work in a broader cultural context, overcome challenges, define your artistic voice, and interrogate creative decisions in your own work. Electives round out the program experience, giving you opportunities to incorporate other artistic disciplines. Our lecture series and CCA Film Week offer students connection and dialogue with filmmakers and artists who are making groundbreaking new work.

CCA film student shoots on a green screen and reviews footage with faculty

Internships and teaching assistantships

CCA Graduate students in Film have interned with Frameline, producers of the San Francisco International LGBTQ Film Festival; San Francisco Film Society, which organizes the San Francisco International Film Festival; Bay Area Video Coalition; and SoMArts, a cultural center for multidisciplinary events and exhibitions, among others. Internships provide you with hands-on experience and help you build a professional network in the Bay Area and beyond. With mentorship in pedagogy from faculty, you may also work as a CCA teaching assistant for undergraduate film courses.

Facilities and resources

Faculty

Learn filmmaking from award-winning artists

Our faculty are working filmmakers and media artists with backgrounds in various practices, including directing, cinematography, sound design, and installation. Faculty work with graduate students one on one to expand their conceptual thinking and aesthetic approaches to film.

Portrait of MFA Film chair Ranu Mukherjee

Ranu Mukherjee, Chair of Film

Chair Ranu Mukherjee is an artist who makes hybrid work in moving image, painting, and installation to build new imaginative capacities. She draws inspiration from the histories of collage, Black feminist science fiction, and Indian mythological prints of the late 19th century.

Her solo projects and exhibitions have been presented by the Asian Art Museum, de Young Museum, Los Angeles County Museum of Art, San Jose Museum of Art, Pennsylvania College of Art and Design, Tarble Arts Center, Karachi Biennale, Galerie Barbara Thumm, and Gallery Wendi Norris, her representing gallery. Mukherjee is currently a Lucas Arts Fellow at Montalvo Arts Center (2019–2022) and the recipient of a Pollock-Krasner Foundation Grant (2020).

Curriculum

Push the boundaries of your craft

The MFA Film curriculum covers the full spectrum of filmmaking, from cinema history and theory to experimental modes that depart from traditional ways of thinking and making. In addition, we encourage you to choose electives from other disciplines, such as studio art, writing, and curatorial practice, to expand your skill set and push the boundaries of your craft. In this environment of diverse professional and alternative practices, you'll be well positioned to create work that exhibits your own distinctive voice.

MFA Film

Year 1: Fall Semester

Graduate Film Studio 1
3.0 units
Film Language and Form
3.0 units
Writing for the Moving Image
3.0 units
Production 1
3.0 units
Nonfiction Studio
3.0 units

Year 1: Spring Semester

Graduate Film Studio 2
3.0 units
Production 2
3.0 units
Directing Studio
3.0 units
Graduate Film History
3.0 units
Elective
3.0 units

Year 2: Fall Semester

Thesis Development Seminar 1
3.0 units
Graduate Film Studio 3
3.0 units
Film Aesthetics and Theory
3.0 units
Individual Studio Critique
3.0 units
Elective
3.0 units

Year 2: Spring Semester

Thesis Project Seminar
3.0 units
Outside the Box
3.0 units
Graduate Film Studio 4
3.0 units
Individual Studio Critique
3.0 units
Elective
3.0 units

Total 60.0 units

Careers

Developing a thriving practice

Our students graduate with conceptual skills, technical dexterity, and professional networks that enable them to pursue lifelong careers in filmmaking. As they enter the field, alumni draw from their robust experiences at CCA, including teaching undergraduate film students and collaborating with curators and visual artists, to forge unique creative paths. Whether they choose commercial film or expanded cinema or experimental media, alumni find exciting opportunities that challenge them to redefine contemporary cinema.

Potential career paths

  • Filmmaker/Director
  • Cinematographer
  • Screenwriter
  • Film editor
  • Writer/Critic
  • Educator
  • Curator
  • Visual artist

News & Events

CCA's cinema culture

How to Apply

Submit sample reels that tell your story

Our two-year program is designated for those with a bachelor’s degree in film, visual studies, or a related fine arts field. Most of our applicants are self-driven filmmakers who are excited to join a collaborative community. Overall, admission is based on the strength of your portfolio and transcripts.

Start your application

You’ll apply to CCA and submit all required application materials via SlideRoom. Afterward, you may be contacted for an interview with a faculty member as part of the application process. Being selected for an interview doesn’t indicate applicant status or increase or decrease an applicant’s chances of being admitted into their desired graduate program. Interviews are conducted at the program’s discretion and are used to gain more insight into an application.

MFA Film application requirements

  • Application and $70 nonrefundable application fee
    To be completed and submitted on SlideRoom.

  • Resume/curriculum vitae
    Please outline your educational and professional background and relevant experiences and activities, including community work. Resumes/CVs must be in PDF document format.

  • Two recommendation letters
    You’ll request two letters of recommendation from academic or professional sources in SlideRoom by entering the contact information for your recommenders/references. They will then receive an automated email from SlideRoom with instructions for uploading their letter of recommendation.

  • Unofficial college transcripts
    You are required to provide your complete undergraduate academic history. Students who have already taken graduate courses are encouraged to submit those transcripts, too. For international applicants, all transcripts must be in English or accompanied by a certified English translation.

    Please provide an unofficial transcript from the college where you will receive or have received your bachelor’s degree, as well as unofficial transcripts for all other undergraduate coursework. Unofficial transcripts will be used for review purposes.

    Once you have been admitted and enrolled, all students will need to submit official, sealed transcripts showing the completion of a bachelor’s degree to our graduate admissions office by August 1 of the fall semester they begin enrollment at CCA.

  • Proof of English proficiency (international applicants only)
    Review and plan to meet our English proficiency requirements for graduate students.

  • Personal essay
    In a personal essay, submitted as a PDF, write 500 to 1,000 words about your work within the context of contemporary artistic practice and why you want to study at the graduate level.

  • Portfolio
    We encourage you to submit at least one completed recent work. You may also submit a five-minute sample reel that the review committee will watch in its entirety. The five-minute sample reel should be labeled clearly with the title, date, running time, and description of the piece, or pieces, it contains. Your role in the production of each piece must be clearly labeled as well.

    You have the option to also submit: supplemental reels of up to 10 minutes in length, which will be viewed at the discretion of the committee; additional video files (we encourage you to submit at least one completed recent work); and up to 10 still images, written work, and links to web-based work.

    Technical specs are as follows:

    • Images (up to 5 MB each)
    • Videos (up to 250 MB each)
    • Audio (up to 30 MB each)
    • PDFs (up to 10 MB each)
    • Links to media from YouTube, Vimeo, and SoundCloud are also acceptable

Contact our program manager with questions

Ingrid Wells

Graduate Film Program Manager

+1 415-703-9581

[email protected]

Explore new modes of cinematic expression

Apply now