Nurture creativity and civic-mindedness
At CCA, we think with our hands, cultivate intellectual nimbleness, and pursue socially engaged artistic practice. Our fine arts curriculum emphasizes critical thinking, visual literacy, hands-on studio craft, and cross-disciplinary applications. As fine artists and creative citizens, CCA graduates enter professional practices or careers in the arts ready to make a positive impact in our local, regional, and global communities.
In the studio and classroom, we maintain a student-to-teacher ratio in the single digits to maximize opportunities for close instruction, mastery of technical skills, and productive dialogue. Students have the freedom to explore materials and interdisciplinary modes of artmaking while engaging in CCA’s fruitful critique culture. History, culture, politics, science, economics, psychology, religion, sociology, and much more are interwoven into the studio curriculum, encouraging deep thinking and innovation. You’ll gain practical skills and experiences, and refine your ability to research, write about, and critique works of art.
Opportunities for collaboration abound with peers, faculty mentors, visiting artists, and nonprofit partners that foster thoughtful questioning and discussion. Our San Francisco Bay Area location means we’re mere steps away from cultural hubs, such as CCA’s Wattis Institute, Yerba Buena Center for the Arts, SFMOMA, Museum of the African Diaspora, Asian Art Museum, Jewish Contemporary Museum, Pier 24 Photography, and more. Engagements with external partners, such as Oikonos Ecosystem Knowledge and the Center for Investigative Reporting, are available at both the undergraduate and graduate level and merge studio skills with real-world challenges. Upon graduation, you’ll have a body of work, artistic network, and cumulative experiences to launch a career and shape culture.
Meet the Dean of Fine Arts
Dean Allison Smith investigates the cultural phenomenon of historical reenactment and the performative role of craft in the construction of identity. Her diverse studio practice integrates sculpture, traditional craft, photography, printmaking, and textiles, as well as modes of experimental performance and social practices. Smith has produced over 25 solo exhibitions, installations, performances, and artist-led participatory projects for venues such as the San Francisco Museum of Modern Art, Public Art Fund, The Aldrich Contemporary Art Museum, The Arts Club of Chicago, and S!GNAL Center for Contemporary Art, among many others. Her work is held in the collections of the Whitney Museum of American Art, Los Angeles County Museum of Art, Saatchi Gallery London, Linda Pace Foundation, and many other public and private collections worldwide.
Award-winning artists and social practitioners
Our faculty nurture a think tank culture that engages with critical issues and expands the boundaries of artmaking. By emphasizing dialogue and criticality in studios and seminars, they help students challenge conventions, foster civic-mindedness, and reframe how we experience the world. In addition to their work as educators and researchers, faculty are active practitioners who exhibit, perform, and publish widely. They exhibit in some of the most exciting galleries and museums around the world, including the National Gallery of Australia, San Francisco Museum of Modern Art, Johnen Galerie in Berlin, Museum of Modern Art in Dublin, and WhiteBox in New York City. From Academy Award-winning documentaries to NEA-funded environmental impact projects, faculty accomplishments inspire students to take active roles as agents for change in various creative, cultural, and economic arenas.
Faculty news and initiatives
Kota Ezawa, an associate professor for CCA film programs, discusses the Whitney Musuem protests with KQED
Associate professor Angela Hennessy is one of two Bay Area-based artists to receive a 2019 Artadia award
Queer California: Untold Stories, an exhibition curated by CCA's Christina Linden, features work by CCA faculty and staff
Ranu Mukherjee, MFA Fine Arts chair, discusses hybrid identities and contexts with Beyond the Studio, an artist-run podcast
Textiles chair Josh Faught and MFA Fine Arts alumnus Diedrick Brackens expand tapestry's traditional definition
Nathan Lynch, chair of Glass and Ceramics, among Bay Area artists who approach ceramics in new ways
Robust public programming
Our national and international networks are amplified by our lecture series and exhibitions. Open to all disciplines, our keynote lectures feature interdisciplinary artists, critics, scholars, and filmmakers, among many other practitioners, from the Bay Area and around the world. Recent guests include Léonie Guyer, Laura Poitras, and alumnus Hank Willis Thomas.
In addition to our public programming, students have opportunities to learn from diverse practitioners in CCA’s galleries, which host upwards of 150 exhibitions and artist talks each year. The nearby Wattis Institute for Contemporary Arts, a nonprofit exhibition venue and research institute that’s part of CCA, commits an entire year to reflecting on questions posed by a single artist. Students in the MA in Curatorial Practice and MFA in Fine Arts programs collaborate with the Wattis on exhibitions and publications as a part of their coursework.
Explore Fine Arts@ccagradfinearts
Nov. 5, 2019
If you missed 👁Open Studios👁 over the weekend, you really missed out.
Dual Degree MA📖/MFA🎨 Candidate Hannah Waiters (@waiter2z) sat down with Brooke to talk about preparing for open studios, the choice to go to grad school, and the rigors and rewards of artistic inspiration.
*️⃣What are you looking forward to the most at this year's Open Studios?
“Open Studios is always a great time to engage with other artists, curators and professors on my latest work and brewing ideas. I can't wait to see what all of my friends are working on.”
*️⃣What inspired you to study at CCA?
“I wanted to come to CCA because I felt very inspired by the research of the esteemed faculty. The community and experiences in the MFA program, are nothing short of amazing.”
*️⃣What themes, concepts and/or artists influence your work?
“My interdisciplinary work looks to unpack rigorous questions how identity lends itself to eternity. Artists that are currently pushing my research forward are those such as: Noah Purifoy, Doris Salcado, Anna Martine Whitehead & Fred Wilson.”
*️⃣What character from a movie would you be?
“Evie from The Mummy”
@cacollegeofarts @waiter2z @noahpurifoyfoundation @ccaviscrit
#gradschool #contemporaryart #mfa #ma #visualstudies #visualandcriticalstudies #contemporaryarthistory #africanamericancontemporaryart #visualculture #visualculturestudies #appropriationart #fineart #fineartphotography #stilllifephotography #conceptualart #researchbasedart #archives #archivalresearch #contemporarysculpture #contemporaryphotography #holoween #artschool #openstudios #mfaopenstudios #sanfranciscoartist #bayareaartist #dorissalcedo #noahpurifoy #anamartinewhitehead #fredwilson
Oct. 31, 2019
This week, MFA 2020 candidate Jordan Hartney invited me into her studio to get up close and personal with the intricate details of her fantastically peculiar cyborgian artworks! 🔥🎨👀 @jordan.hartney
Says Jordan regarding this work:
"My work takes shape as alien skeletal forms, cyborgian diagrams and oddities. These bodies of work are intended to create a sense of believability regarding our cyborg conditions and to engage our senses to question identity and autonomy. Through the hybridization of clay, steel, silicone and technological parts, a perpetual flux between interiority and surface questions how technology challenges real appearance. I use the color of stark white to enhance the lifeless, artificial, dry feeling in the space. The reconfiguring and unfolding of bodies simulate both recognizable and unfamiliar worlds."
Please join us this Saturday at Open Studios, where you can experience the full detail of Jordan's work in person!🎉 Our CCA MFAs welcome guests into their studios to showcase and discuss their works, processes, and ideas. .
Thank you for the insight into your work, and have a fantastic rest of the semester Jordan!
#mfa #mfaopenstudios #cca #ccamfa #graduatefinearts #gradschool #bayareaarts #bayareaartist #sanfranciscoarts
Oct. 28, 2019
☕Welcome to an MFA Monday Morning, featuring an interview today with 2014 VCS/MFA alum Dorothy Santos! @deedottiedot
After earning Bachelor's degrees in Philosophy and Psychology at USF, and a Master's degree in Visual and Critical Studies at CCA, Dorothy is now working on her PhD in Film and Digital Media at UCSC.
In this interview, she discusses her N-400 Revisited project involving a text-based game and the Application for Naturalization N-400 form. She also talks about inspirations, dreams for a better world, and The New Modality.
Read the full interview here: http://thenewmodality.com/catalyst-dorothy-santos/
And keep up with Dorothy here: https://linktr.ee/deedottiedot
Oct. 24, 2019
🎉NEXT SATURDAY!! 🎉 CCA's Graduate Fine Arts MFA candidates open their studios to the general public in this annual event. Over 50 current students invite you into their Dogpatch studios to meet them and to view their work. See what the next generation of artists are making and thinking!
Swipe to see artwork from last year's event>> (photos taken by @lea_brun0)
Free and open to the public
Saturday November 2, 2019 12pm-3pm
2565 3rd Street, 2nd Floor, SAN FRANCISCO, CA 94107
-Artwork in image 1 by CCA 2020 MFA Candidate Jillian Crochet, @jilliancrochet "The Weight of Loss" 2018, 5'×2'×1'
-Image 2 from artist and CCA MFA 2019 Luoyi Tong's studio
-Image 3 from artist and CCA MFA 2020 candidate Christine Lyon's studio @grizzdean
-Image 4 work from artist and CCA MFA 2020 candidate Lucien Dante @luciendanteart
#mfa #mfaopenstudios #openstudios #cca #ccamfa #mfafinearts #gradschool #sanfranciscoarts #finearts #studio #artschool #contemporaryart #bayreaartists
Experience cross-disciplinary studios
We offer 12 BFA programs, including the self-directed Individualized Studies degree for students whose work intersects multiple fields. Minors, which can be completed without adding to your total required units, explore social impact, alternative systems of representation, and literary arts. Immersed in cross-disciplinary thinking from day one, fine arts students get the best of both worlds: a liberal arts education and a craft-based studio culture that encourages them to experiment with their hands.
Contribute to a socially engaged culture
We offer three graduate programs and two dual-degree options, which make it possible to earn two separate graduate degrees in just three years. Throughout your coursework, students experience a rich ecosystem of craft, civic engagement, and entrepreneurship. Drawing inspiration from San Francisco cultural institutions, such as Yerba Buena Center for the Arts and the Wattis Institute for Contemporary Arts, our programs encourage students to contribute to local art and design communities through exhibitions, publications, and various critique formats.
Connect studio work to societal issues
We provide students with the hands-on tools, digital fabrication resources, and materials they need to experiment and create a cohesive body of work. On-site studio managers, who are artists and designers themselves, are available to provide safety and skills training, as well as to suggest alternative approaches throughout ideation, iteration, and final project stages. Students investigate larger societal issues, from identity and race to power and technology, through mediums and collaborative exhibitions that reflect who they are and what they want to argue. CCA’s legacy as a center for arts and crafts and social activism can be seen and felt in each one of our creative spaces.
Spotlight on creative spaces
Painted by and for the community, murals have long been a tradition in San Francisco. Across the Bay Area, and especially in the nearby Mission District, murals are visual odes to historical figures, local landmarks, social movements, and more. Students can create their own social and political messages in the Mural Room, where they can make large-format vertical or horizontal prints with specialized tools and equipment.
Metal Fabrication and Welding Shop
Open to all students who have completed the required orientation, this shop specializes in clay and metal. Students have the space to work on large-scale projects and can use the shop’s free scrap metal when available. There are a variety of tools and equipment, including a plasma torch, drill press, mill, lathe, chop saw, spot welder, and manual slip roll for bending steel.
Textiles Weaving Studio
Our Textiles program is one of the few in the United States to teach digital weaving on Jacquard looms. The Weaving Studio, open to undergraduates and graduate students who have experience in textiles or have taken related courses, features two state-of-the-art Jacquard TC2 looms. Students who spend time in this studio merge modes of design thinking, formal abstraction, and personal narrative in fabric-based projects.
Achieve breakthroughs together
Alumni make waves
Alum Sarah Hotchkiss is one of eight art journalists to receive a prestigious Rabkin Foundation Award
Alum Kalia Brooks Nelson selected for new visiting curator's initiative at Moore College of Art & Design
Alum Dionne Lee's solo exhibition at Interface Gallery named one of Artforum's Critics' Picks
Upper Division Interdisciplinary Studio
Collaborative and topic-based, Upper Division Interdisciplinary Studio (UDIST) courses combine techniques and content from various disciplines at once. Course topics, which change regularly, challenge students to shift from a singular mindset to one that is all-encompassing and socially engaged. You’ll learn how to take studio-based practice out into the real world. Featured below are recent UDIST courses that leverage interesting, locally based nonprofits.
- The Peripatetic Wunderkammer: This experimental and performance-based course teaches students how to build a mobile media project that expands a San Francisco museum collection into public spaces throughout the city
- Animated Investigation: In collaboration with the Center for Investigative Reporting, students consider the documentary’s role within contemporary visual culture, working on projects that may involve animation, comics, motion graphics, photography, and more
Experience another culture
We encourage students to refine and expand their skills in new environments by studying in other United States cities or in another country. Some of our most recent study-abroad courses focused on the following themes.
- Life, Death, Art, and Ecstasy: Taking place in Reykjavik and rural areas along the Snæfellsnes Peninsula, this interdisciplinary course immerses students in Icelandic art, culture, and history
- Exhibition Brooklyn: A collaboration between CCA and Art in General, a 37-year-old nonprofit art space in Brooklyn’s DUMBO district, this course introduces students to artists and art world professionals in New York City through studio visits and one-on-one meetings
We’re here to answer your questions
We’re happy to share more information about our alumni, faculty, study-abroad opportunities, and the many socially engaged projects our students create across the Bay Area.