Textile art by Michelle Bonilla

Fine Arts

Through self-examination, critique, and dialogue, fine arts students at California College of the Arts (CCA) explore artmaking within a broad context as technically trained creative practitioners who are socially engaged with the world around them.

Overview

Expand how we view the world

Reflected light from the greensweep casts a pallid glow upon the gleeful faces of film students as they compose their shot.

Nurture creativity and civic-mindedness

At CCA, we think with our hands, cultivate intellectual nimbleness, and pursue socially engaged artistic practice. Our fine arts curriculum emphasizes critical thinking, visual literacy, hands-on studio craft, and cross-disciplinary applications. As fine artists and creative citizens, CCA graduates enter professional practices or careers in the arts ready to make a positive impact in our local, regional, and global communities.

painting students engaging with one another's work through constructive criticism

In the studio and classroom, we maintain a student-to-teacher ratio in the single digits to maximize opportunities for close instruction, mastery of technical skills, and productive dialogue. Students have the freedom to explore materials and interdisciplinary modes of artmaking while engaging in CCA’s fruitful critique culture. History, culture, politics, science, economics, psychology, religion, sociology, and much more are interwoven into the studio curriculum, encouraging deep thinking and innovation. You’ll gain practical skills and experiences, and refine your ability to research, write about, and critique works of art.

CCA faculty holding a seabird with the ceramic nest made in collaboration with CCA Ceramics and Oikonos

Opportunities for collaboration abound with peers, faculty mentors, visiting artists, and nonprofit partners that foster thoughtful questioning and discussion. Our San Francisco Bay Area location means we’re mere steps away from cultural hubs, such as CCA’s Wattis Institute, Yerba Buena Center for the Arts, SFMOMA, Museum of the African Diaspora, Asian Art Museum, Jewish Contemporary Museum, Pier 24 Photography, and more. Engagements with external partners, such as Oikonos Ecosystem Knowledge and the Center for Investigative Reporting, are available at both the undergraduate and graduate level and merge studio skills with real-world challenges. Upon graduation, you’ll have a body of work, artistic network, and cumulative experiences to launch a career and shape culture.

Community

Challenge the boundaries of artmaking

Image of Allison Smith, Dean of Fine Arts at CCA

Allison Smith, Dean of Fine Arts

Meet the Dean of Fine Arts

Dean Allison Smith investigates the cultural phenomenon of historical reenactment and the performative role of craft in the construction of identity. Her diverse studio practice integrates sculpture, traditional craft, photography, printmaking, and textiles, as well as modes of experimental performance and social practices. Smith has produced over 25 solo exhibitions, installations, performances, and artist-led participatory projects for venues such as the San Francisco Museum of Modern Art, Public Art Fund, The Aldrich Contemporary Art Museum, The Arts Club of Chicago, and S!GNAL Center for Contemporary Art, among many others. Her work is held in the collections of the Whitney Museum of American Art, Los Angeles County Museum of Art, Saatchi Gallery London, Linda Pace Foundation, and many other public and private collections worldwide.

Keith Thomas offers his expert insights to painting students during a critique

Award-winning artists and social practitioners

Our faculty nurture a think tank culture that engages with critical issues and expands the boundaries of artmaking. By emphasizing dialogue and criticality in studios and seminars, they help students challenge conventions, foster civic-mindedness, and reframe how we experience the world. In addition to their work as educators and researchers, faculty are active practitioners who exhibit, perform, and publish widely. They exhibit in some of the most exciting galleries and museums around the world, including the National Gallery of Australia, San Francisco Museum of Modern Art, Johnen Galerie in Berlin, Museum of Modern Art in Dublin, and WhiteBox in New York City. From Academy Award-winning documentaries to NEA-funded environmental impact projects, faculty accomplishments inspire students to take active roles as agents for change in various creative, cultural, and economic arenas.

Four dancers at CCA's Wattis Institute performing Adam Linder Full Service Leah Katz, Justin F. Kennedy, Noha Ramadan, and Stephen Thompson

Adam Linder, Full Service (installation view), 2018, Wattis Institute; Choreographic Service No.5: Dare to Keep Kids Off Naturalism, 2017, Duration variable, Four dancers: Leah Katz, Justin F. Kennedy, Noha Ramadan, and Stephen Thompson; photo: Allie Foraker

Robust public programming

Our national and international networks are amplified by our lecture series and exhibitions. Open to all disciplines, our keynote lectures feature interdisciplinary artists, critics, scholars, and filmmakers, among many other practitioners, from the Bay Area and around the world. Recent guests include Léonie Guyer, Laura Poitras, and alumnus Hank Willis Thomas.

In addition to our public programming, students have opportunities to learn from diverse practitioners in CCA’s galleries, which host upwards of 150 exhibitions and artist talks each year. The nearby Wattis Institute for Contemporary Arts, a nonprofit exhibition venue and research institute that’s part of CCA, commits an entire year to reflecting on questions posed by a single artist. Students in the MA in Curatorial Practice and MFA in Fine Arts programs collaborate with the Wattis on exhibitions and publications as a part of their coursework.

Explore Fine Arts

@ccagradfinearts
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Sept. 10, 2019

👀🎨🔥 In her bright and active studio, I spoke to Courtney, a second year MFA Fine Arts student, whose abstract and often sculptural paintings contemplate joy, color, landscape, materiality, and contemporary installation strategies. .
Courtney is headed into her second and final year of the program, continuing to work with painting faculty such as Kim Anno and Karla Wozniak, and brining in a new voice with Keith Thomas. Reflecting on the transition from the first year, to the next, Courtney mentioned the breadth of experimentation last year and she’s feeling confident about “identifying what works” going forward.
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Courtney moved to San Francisco for graduate school from Seattle, and we talked about settling in over the summer, and checking off the touristy things, like the Golden Gate, and digging deeper, in places like the Marin Headlands. .
I can’t wait to see what you continue to make, Courtney, in the studio and at the thesis show!
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Stay tuned for updates about open studios in November to meet Courtney and the artists in the MFA cohort. .
@bryan.k.thomas.35 @kim.anno @karla_wozniak @courtneyiodell @cacollegeofarts
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#gradschool #mfa #studio #artstudio #finearts #artschool #contemporarypainting #contemporaryart #bayareaartist #studioshots #processphotos #painter #paintersoninstagram

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Sept. 9, 2019

And congratulations to Angela Hennessy, another wonderful CCA faculty Finalist in Artadia San Francisco 2019!

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Sept. 9, 2019

Congratulations to 2019 Artadia San Francisco finalists Ranu Mukherjee, Sam Vernon, Angela Hennessy, and Dionne Lee! This is the 12th awards cycle for Artadia San Francisco, and we are so excited to have CCA represented by our wonderful faculty.

#artadia2019

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Sept. 5, 2019

What an amazing evening! 4 openings in one night. Be sure to check out 1) Vincent Fecteau at The Wattis, the 2) MFA College Honors exhibition at Hubbell Street Galleries featuring work by current MFA students Hannah Waiters, Margot Becker and Narges Poursadeqi, 3) the PLAYspace gallery with work by MFA Alums Judit Navratil, Efe Ozmen and 4) Surfacing Histories: Sculpting Memories with Lava Thomas, Sandra Ono, Julia Goodman, MFA Alum Sofia Cordova and Amy Tavern. Beautiful work all around—so much to see! @narges_____p @waiter2z @mbbunny @wattisarts @zmenfe @juditnavratil

Undergraduate

Learn to question and create

critical studies students working on their YBCA mural panels

Experience cross-disciplinary studios

We offer 12 BFA programs, including the self-directed Individualized Studies degree for students whose work intersects multiple fields. Minors, which can be completed without adding to your total required units, explore social impact, alternative systems of representation, and literary arts. Immersed in cross-disciplinary thinking from day one, fine arts students get the best of both worlds: a liberal arts education and a craft-based studio culture that encourages them to experiment with their hands.

Graduate

Amplify your voice and talents

Class taking place in CCA's Curatorial Research Bureau at YBCA

Contribute to a socially engaged culture

We offer three graduate programs and two dual-degree options, which make it possible to earn two separate graduate degrees in just three years. Throughout your coursework, students experience a rich ecosystem of craft, civic engagement, and entrepreneurship. Drawing inspiration from San Francisco cultural institutions, such as Yerba Buena Center for the Arts and the Wattis Institute for Contemporary Arts, our programs encourage students to contribute to local art and design communities through exhibitions, publications, and various critique formats.

Studios + Shops

Foster civic-mindedness

CCA fine arts students lead a "Capitalism Exorcism" activation in the Hubbell Street Galleries

Connect studio work to societal issues

We provide students with the hands-on tools, digital fabrication resources, and materials they need to experiment and create a cohesive body of work. On-site studio managers, who are artists and designers themselves, are available to provide safety and skills training, as well as to suggest alternative approaches throughout ideation, iteration, and final project stages. Students investigate larger societal issues, from identity and race to power and technology, through mediums and collaborative exhibitions that reflect who they are and what they want to argue. CCA’s legacy as a center for arts and crafts and social activism can be seen and felt in each one of our creative spaces.

student working on mural for YBCA install

Spotlight on creative spaces

Mural Room

Painted by and for the community, murals have long been a tradition in San Francisco. Across the Bay Area, and especially in the nearby Mission District, murals are visual odes to historical figures, local landmarks, social movements, and more. Students can create their own social and political messages in the Mural Room, where they can make large-format vertical or horizontal prints with specialized tools and equipment.

Student welding a sculpture during a metal working class

Metal Fabrication and Welding Shop

Open to all students who have completed the required orientation, this shop specializes in clay and metal. Students have the space to work on large-scale projects and can use the shop’s free scrap metal when available. There are a variety of tools and equipment, including a plasma torch, drill press, mill, lathe, chop saw, spot welder, and manual slip roll for bending steel.

A student follows a pattern while working on a weaving machine

Textiles Weaving Studio

Our Textiles program is one of the few in the United States to teach digital weaving on Jacquard looms. The Weaving Studio, open to undergraduates and graduate students who have experience in textiles or have taken related courses, features two state-of-the-art Jacquard TC2 looms. Students who spend time in this studio merge modes of design thinking, formal abstraction, and personal narrative in fabric-based projects.

Students play conceptual art games in Glen Halfand's "P.E." UDIST class

Upper Division Interdisciplinary Studio

Collaborative and topic-based, Upper Division Interdisciplinary Studio (UDIST) courses combine techniques and content from various disciplines at once. Course topics, which change regularly, challenge students to shift from a singular mindset to one that is all-encompassing and socially engaged. You’ll learn how to take studio-based practice out into the real world. Featured below are recent UDIST courses that leverage interesting, locally based nonprofits.

  • The Peripatetic Wunderkammer: This experimental and performance-based course teaches students how to build a mobile media project that expands a San Francisco museum collection into public spaces throughout the city
  • Animated Investigation: In collaboration with the Center for Investigative Reporting, students consider the documentary’s role within contemporary visual culture, working on projects that may involve animation, comics, motion graphics, photography, and more
Japanese students pose in the Akihabara district of Tokyo, Japan

Experience another culture

We encourage students to refine and expand their skills in new environments by studying in other United States cities or in another country. Some of our most recent study-abroad courses focused on the following themes.

  • Life, Death, Art, and Ecstasy: Taking place in Reykjavik and rural areas along the Snæfellsnes Peninsula, this interdisciplinary course immerses students in Icelandic art, culture, and history
  • Exhibition Brooklyn: A collaboration between CCA and Art in General, a 37-year-old nonprofit art space in Brooklyn’s DUMBO district, this course introduces students to artists and art world professionals in New York City through studio visits and one-on-one meetings

We’re here to answer your questions

We’re happy to share more information about our alumni, faculty, study-abroad opportunities, and the many socially engaged projects our students create across the Bay Area.

Get more details about your program of interest

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