Design better futures
We believe that architecture and interior design are critical cultural practices that can and should serve the common good. Architecture at CCA is an arena for the free and open exchange of ideas about the future—of our buildings, cities, and planet—and a laboratory where these ideas are tested through speculative architectural research. Our students challenge conventional ideas at every turn in an innovative culture of making that weds discipline-specific skills and knowledge to emerging technical and conceptual methods.
With each passing semester, you’ll increasingly see yourself as a designer actively engaged in the most important issues of the day, becoming ever more confident as your knowledge base grows, your skills sharpen, and your ability to identify, develop, and communicate your ideas matures. Guided by a faculty with practice-based expertise—ranging from experimental history to pioneering digital fabrication to fresh urban form-making to novel representational methods to down and dirty design-build—you’ll transform theory into action as you produce new disciplinary knowledge and discover career opportunities that value design speculation and versatile leadership.
The city is your urban laboratory
Central to your experience at CCA is our San Francisco location: a place where the leading edge of digital culture meets an enduring legacy of social and environmental action. Here, new ideas about how we inhabit this planet are continuously being tested. You’ll study in a world-class, top art and design college that values interdisciplinary exchange and open dialogue.
Meet the dean of Architecture
Dean Keith Krumwiede is an award-winning educator and the author of Atlas of Another America: An Architectural Fiction, a satirical assessment of the American Dream. Named “Book of the Year” by critics Alexandra Lange and Mark Lamster, Atlas of Another America reflects Krumwiede’s multifaceted and humorous approach to the culture of architecture and its often-complicit relationship to power and privilege. His work has been been exhibited globally at renowned architecture biennials, universities, and galleries. A pioneering researcher, Krumwiede’s scholarly articles have appeared in The Architect’s Newspaper, Praxis, Domus, and elsewhere. Prior to joining CCA in fall 2018, he was an Arnold W. Brunner/Katherine Edwards Gordon Rome Prize Fellow in Architecture.
High-profile architecture and design educators
Our award-winning faculty drive the success of our discipline. As teachers, researchers, practitioners, and public intellectuals, we’re active in shaping important conversations around architecture and interior design. Our faculty believe that architecture and interior design are critical cultural practices that reflect values, impact lives, shape urban spaces, harness technological innovation for positive change, and envision other futures for an environmentally challenged world.
Robust public programming
Our national and international networks are amplified by our lecture series and symposia. Open to all disciplines, our keynote lectures feature architects, designers, and theorists from the Bay Area and around the world. Recent guests include Wang Shu, Jeanne Gang, Eyal Weizman, Amanda Williams, Tatiana Bilbao, and Neyran Turan.
We also host numerous symposia each semester, inviting faculty and scholars from other architecture schools to join us in wrestling with controversial, provocative, and future-focused topics. Often directly tied to projects our students, faculty, and external partners advance in our architecture research labs, symposia are opportunities to learn from scientists, engineers, and other practitioners whose work intersects many different disciplines. Recent symposia topics include Reckoning: Monuments and Racial History, Domestic Affairs: Housing the Multitude, and Designing Material Innovation.
Nov. 1, 2019
Condemned Buildings and Other Stories
Drawn by: Douglas Darden .
D E S C R I P T I O N
CCA Architecture was thrilled to present an exhibition of drawings by renowned architectural storyteller and provocateur Douglas Darden. Working in the same vein of narrative engagement and imaginative invention as architectural visionaries Piranesi, Boullee and Ledoux, Darden’s drawings invite us in. Exquisite detail breathes life into almost believable alternative building projects that are simultaneously utopian and dystopian.
These remarkable and masterful works, from Darden’s 1993 book, Condemned Building: An Architect’s Pre-text are the key drawings for each of ten projects designed by Darden to upend ten theoretical truisms about architecture. Using drawings and models, Darden describes the projects in this way: “The ten works of architecture cited in this book …… are like a turning-over, one by one, of those canons. Like the action of the plow, this was done not to lay waste to the canons, but to cultivate their fullest growth.” “The buildings are an admission of rhetoric, not knowledge. Instead of solutions, they offer allegories. By these means, architecture can be seen for what it is: never its of sufficient subject, not its own sufficient end.” --Douglas Darden, from the introduction to Condemned Building
#representation #douglasdarden #art #cca #architecture #gallery #exhibition #sanfrancisco #handdrawing #handdrawn #beauty #greyscale.
Nov. 1, 2019
P R O J E C T T O K Y O
Professors: @fauldersstudio & @matsysdesign
Anyone else enjoying these beautiful comic style drawings? .
D E S C R I P T I O N
Capturing the dynamics of contemporary urban living, Tokyo challenges our preconceptions for architectural domesticity amidst rapid forces of change that are reshaping cities throughout the world today. This exhibition documents two iterations of the Project Tokyo summer architecture studio in which students were asked to document their journey in Japan through the generation of a short manual that collects 4-5 actual or fictional projects in order to uncover, invent, and describe the explicit forces and influences that generate Tokyo’s domestic architecture towards the ordinary and extraordinary.
Oct. 28, 2019
Taught by: @negarkalantar
Note: Gallery will be up till 6pm at 151 Hubbell Street, San Francisco, CA 94107
D E S C R I P T I O N:
Movement can be contemplated “as the natural condition of all things.” In this manner, architecture can generally be identified as a dynamic responsiveness to a variety of intricate relationships among form, space, structure, materiality, environment, and the senses. Despite the variations that may occur over the course of a day or a year, as surprising as it seems, changeability is not an imminent part of buildings and interior spaces. moveIT demonstrates the concept of transformability as a new design tool in architecture and interior design. Here, the architectural attributes of the mechanism, which is the ability to change in shape and pattern, are the main concern.
#ccainterior #cca #interiordesign #material #study #gallery #exhibition #sanfrancisco #modelmaking #exploration #materiality #light #shadow
Oct. 28, 2019
Beautiful drawing done by: @sayer_squared
Class: Architecture And/As Representation
Professor: @keithkrumwiede .
D E S C R I P T I O N:
This is a drawing looking at Androuet du Cerceau’s unbuilt project XXXVII which is composed of four similar structures connected with arcades. Acknowledging the software used to produce the drawing, three of the quarters are displayed in some of Rhino’s default views. The fourth is one of great unease. Is it a perspective? An oblique? Where are my glasses? It’s inhabitants are fragmented and skewed. They reject perfection. Planar lines, vanishing points, and Euclidean geometries are not welcome! Building 37 propaganda posters are hung on the walls of the faulty entourage. These non-conformists are banished from the courtyard unless they are willing to change their view.
#ccaarchitecture #cca #architecture #representation #architecturedrawing #archistudent #creative #design #photoshop #illustration #playful #housing #lineweight #architectureschool #sanfrancisco
Students inspired to take action
Faculty profiles and initiatives
Architecture Professor Neal Schwartz's firm wins the James Beard Award for Outstanding Restaurant Design
Professor Sandra Vivanco receives a Stewardson Keefe LeBrun Travel Grant
CCA faculty Irene Cheng, Andrew Kudless, and Sandra Vivanco win 2019 ACSA Architectural Education Awards
Professor David Gissen's story highlights the rarely considered physical challenges of being an architect
Architect Magazine features associate professor of Architecture Neeraj Bhatia and his firm The Open Workshop
Professor of Architecture Craig Scott wins a 2019 Cooper Hewitt National Design Award
Create innovative work across disciplines
The five-year Bachelor of Architecture (BArch) program is NAAB-accredited and STEM-designated. With a focus on critical thinking and creative making, students learn how to be agents of change, leveraging their skills toward environmental, social, and political impact. Design studios emphasize conceptual rigor, engaged research, and material and formal experimentation, setting students up for success across a range of project scales.
Our second undergraduate degree, the BFA in Interior Design, is a four-year accredited program with a focus on sustainable material practices and spatial innovation. Students learn to design for various human environments, including the home, workplace, and public sphere. Internships with prominent Bay Area architecture and interior design firms give students a first-hand look at the daily processes they’ll encounter throughout their careers.
Connect architectural innovation with social impact
Our Master of Architecture (MArch) program champions innovation and experimentation in architectural design, preparing students to lead conversations and develop solutions around some of the world’s most pressing issues. NAAB-accredited and STEM-designated, the MArch program guides students through three years of advanced study, leveraging design, research, and material innovation to merge conceptual, historical, and physical contexts.
Our second STEM-designated program, the Master of Advanced Architectural Design (MAAD), is for early-to-mid-career professionals interested in collaborative and experimental design practices. Over the course of one intensive year, students focus on an independent research or design project through mentored study and a range of elective offerings in one of three areas associated with our research labs: Digital Craft, Experimental History, or Urban Works.
We believe architecture can imagine and create alternative futures, and we translate this belief into direct action. Our five research labs, which are formulated around faculty interests and expertise, present students with myriad project opportunities, such as developing solutions to regional issues brought on by climate change for the Resilient By Design Bay Area Challenge.
From gritty experiments with alternative materials to groundbreaking thinking about urban issues, these projects are often conceived and realized in collaboration with external partners. Recent collaborators include Autodesk, the City of San Francisco, Kreysler & Associates, and the Resilient By Design Bay Area Challenge.
Digital Craft Lab
The Digital Craft Lab features experimental making through emerging technologies. Advanced computation, robotics, responsive environments, and rapid prototyping are motivations to reconsider how architecture is produced.
Urban Works Agency
The Urban Works Agency responds to the politics of the contemporary city. Equity, ecological vitality, and economic resilience are reimagined through urban and territory scaled analysis, narratives, and arguments.
Architectural Ecologies Lab
The Architectural Ecologies Lab serves as a platform for collaborative research between designers, scientists, and manufacturers. This interdisciplinary setting provides the tools to address ecological challenges like sea level rise, habitat restoration, and climate change.
The BuildLab is a setting to participate in the hands-on development of full-scale structures, bringing fabrication, project management, and realization skills directly into the hands of designers.
Experimental History Project
The Experimental History Project works to preserve and present the immaterial aspects of architectural heritage through the reconstruction of environments, immersive augmented reality, and cutting-edge conservation techniques.
Student and faculty excellence
Vertical electives are courses that integrate graduate and undergraduate architecture students as they learn the process of taking conceptual ideation to practical implementation; the objective of vertical electives is to deepen students’ understanding of and ability to create what’s possible when theory, practice, and experimentation converge. While electives vary from year to year, we’re particularly excited about these two:
- Mixed Reality – Leverage mixed reality technologies, such as gaming engines for experience design, to create architectural effects and immersive environments
- Design and Build for the City – Combine full-scale fabrication and community participation to deploy everything from mobile classrooms to prototyping festivals to parklets and shaded pavilions
Advanced and integrated studios
Our advanced studios, which undergraduates can take during their final two years, are either embedded within our research labs or framed around collaborations with external partners. Studios, like the ones featured below, focus on how architectural design can solve for challenging environments and increasingly dense cities.
Creative Architecture Machines
This evolving advanced studio series operates at the intersection of digital fabrication, interactive robotics, and custom software. Students create original fabrication robots that draw, print, scrape, ooze, and dig architecture. Projects challenge students to blur the lines between the digital and physical and expand what architecture is capable of achieving.
Interior Design and Ceramics
Interdisciplinary by nature, this advanced studio investigates historic terracotta traditions alongside contemporary fabrication techniques for building surfaces (or “architectural skins”). Students engage both the aesthetic and functional aspects of ceramics to explore the importance of empty space in exterior and interior environments.
We encourage every undergraduate and graduate student to study abroad at least once. You’ll broaden your cultural influences, explore new environments, and meet other creative practitioners. Our most recent travel studios focused on the following themes:
- Project Tokyo: Experiments in Living – Explore and analyze a range of internationally recognized projects by prize-winning design firms and emerging architectural practices
- Spain: The Silk Road Studio – Follow paths of the historic trade route across Spain and visit major buildings and sites, from the sacred mosques of Córdoba to Gaudi’s Sagrada Família in Barcelona
333 Studio at CCA
In addition to study-abroad opportunities, we host the 333 Studio at CCA’s San Francisco campus every summer. Three outside critics, including those with civil engineering and urban planning backgrounds, work with students for three weeks in an intensive lab environment.
We’re here to answer your questions
We’re happy to share more information about our alumni, faculty, and the ambitious projects we’re pursuing in our five research labs.