Newsroom

For Emeric Kennard, studying Illustration and Writing was possible at CCA thanks to scholarships that helped offset the cost of attendance.

Hank Willis Thomas, an artist-activist and CCA alumnus, has been selected to design his "Embrace" sculptural concept for the new Martin Luther King, Jr. Memorial in Boston.

Cleo Papanikolas, a BFA in Printmaking alumna and working artist, shares a list of her top ten favorite supplies from the art store.

Learn how Kristian Simsarian, CCA associate professor, leveraged design process to build the curriculum for one of the world's first undergraduate interaction design programs.

Rajkamal Kahlon (MFA Painting & Drawing 1999), whose work explores the impact of colonialism, has been named a 2019 Villa Romana Fellow.

Located less than three blocks from campus, the building will house approximately 220 students and feature ground-floor commercial space.

For prospective art students looking for an innovative field that can lead to gainful employment, we've compiled a list of five excellent majors to consider.

CCA’s dean of Humanities & Sciences discusses the practice of lifelong, interdisciplinary learning.

CCA Hubbell Street Galleries presents a new exhibition on nature viewed through the lens of trans identities.

Learn about how graduate design alumna Jennifer Sonderby led a stellar team of designers—including several CCA alumni—in the visual rebranding of SFMOMA.

Professor Sandra Vivanco and assistant professor Irene Cheng each won a Diversity Achievement Award, and associate professor Andrew Kudless received a Faculty Design Award for his project Confluence Park.

Senior graphic designer wins $10,000 for “The Naturalization Process,” a project that explores the journey toward U.S. citizenship through interdependent print pieces.

Wayward Emulsions (2018), the Slamdance award-winning experimental film directed by Humanities & Sciences dean Tina Takemoto, offers queer glimpses of a wayward woman captured in bits of emulsion lifted from stray reels of a 35mm Asian drama.

Joyce J. Scott, a 2016 MacArthur "Genius" Fellow, presents earthwork, an installation of beaded and found objects, quilts, and more in her most comprehensive exhibition to date.

CCA’s Illustration, Industrial Design, and Graphic Design students address wide-ranging themes in culminating exhibition.

The DMBA launches a new curricular area that bridges the gap between research and development and overseas production.

Rob Epstein's documentary film End Game (2018) is a complex and compassionate look at end-of-life care at Zen Hospice Project in San Francisco. This film is nominated in the Oscar 2019 Documentary (Short Subject) category.

New building to house 500+ students with below-market, on-campus housing in San Francisco.

DRAWING CODES: Experimental Protocols of Architectural Representation was co-curated by CCA faculty Andrew Kudless and Adam Marcus.

Art Agenda published an essay by CCA faculty James Voorhies that reflects on the curatorial work of Maria Lind while she was director of Tensta konsthall.